A REGENCY MAHOGANY AND PARTRIDGEWOOD SIDE CABINET with reeded shaped rectangular white marble top above a mahogany-lined frieze drawer flanked by a pair of curved simulated panels, the whole inlaid overall with ebonised lines, above a pair of panelled doors enclosing a fitted interior with one shelf between ring-turned tapering supports with simulated flutes, with further simulated panels and supports to the sides and on tapering baluster feet

Details
A REGENCY MAHOGANY AND PARTRIDGEWOOD SIDE CABINET with reeded shaped rectangular white marble top above a mahogany-lined frieze drawer flanked by a pair of curved simulated panels, the whole inlaid overall with ebonised lines, above a pair of panelled doors enclosing a fitted interior with one shelf between ring-turned tapering supports with simulated flutes, with further simulated panels and supports to the sides and on tapering baluster feet
41¼in. (105cm.) wide; 33¼in. (84.5cm.) high; 40½in. (37cm.) deep

Lot Essay

The pattern for this cabinet with convex corners flanked by paired columns, featured in Plate III from the Appendix to Thomas Sheraton's, Cabinet-Maker and Upholsterer's Drawing-Book, 1793. The black trompe l'oeil fluting in the Etruscan manner was a popular feature of the work of Gillows of London and Lancaster in the early 19th Century, and the company manufactured a sideboard of this form in 1801, which features in their Work Books, no. 1615

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