THE PROPERTY OF A GENTLEMAN
Pieter Lastman (c. 1583-1633)

Details
Pieter Lastman (c. 1583-1633)

Jephthah welcomed Home from the Battlefield by his Daughter

on panel
48 x 78½in. (122 x 199.5cm.)
Provenance
Probably the picture by the artist of this subject listed in the inventory of J. Looten, Dijkgraaf, Beemster, of 13 June 1676 (according to Freise, loc. cit.)
Willem Six, Burgomaster of Amsterdam; (+) sale, Schoemaker-ten Brink, Amsterdam, 12 May 1734, lot 137 (9.10 florins to Cornelis van Essen)
Gildemeester, Dordrecht
Van der Aa, St. Nicolas
J. L. Menke, Antwerp; sale, Heberle, Cologne, 27 Oct. 1890, lot 47 (260 marks)
I. Traugott, Stockholm
Professor Folke Odquist, Djursholm, 1974
with S. Nijstad, The Hague, 1980-1
Literature
G. Hoet, Catalogus of Naamlyst van Schilderyen, I, The Hague, 1752, p. 417, no. 136
C. Vosmaer, Rembrandt Harmens van Rijn, ses précurseurs et ses années d'apprentissage, The Hague, 1863, p. 177, no. 4
C. Vosmaer, Rembrandt, Sa vie et ses oeuvres, 2nd ed., The Hague, 1877, p. 474, no. 6
K. Freise, Pieter Lastman, sein Leben und seine Kunst, Kunstwissenschaftliche Studien, V, Leipzig, 1911, p. 39, no. 23A (as 'signed lower left P. Lastm. f.')
C. Müller(-Hofstede), Beitrage zur Geschichte des biblischen Historienbildes im 16. und 17. Jahrhundert, Ph.D. dissertation, Berlin, 1925, p. 94
A. Pigler, Barockthemen. Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, I, Budapest, 1974, p. 120 A. Tümpel, Claes Cornelisz Moeyaert, Oud Holland, LXXXIIX, 1974, pp. 43 and 45, fig. 56 and p. 254, under no. 65
G. Schwartz, Rembrandt: zijn leven, zijn schilderijen, Maarsen, 1984, p. 31
C. Tümpel (ed.), catalogue of the exhibition, Het Oude Testament in de Schilderkunst van de Gouden Eeuw, Zwolle, 1991, pp. 68-9, fig. 53
Exhibited
Stockholm, Nationalmuseum, Holländska mästare i svensk ägo, 1967, p. 76, no. 84, illustrated p. 56 (detail)
Washington, National Gallery of Art, 2 Nov. 1980-4 Jan. 1981, Detroit Institute of Arts, 16 Feb.-19 April 1981, and Amsterdam, Rijksmuseum, 18 May-19 July 1981, Gods, Saints and Heroes. Dutch Painting in the Age of Rembrandt, pp. 126-7, no. 20, illustrated
The Hague, Mauritshuis, Terugzien in bewondering. A Collectors' Choice, 19 Feb.-9 March 1982, pp. 140-1, no. 50, illustrated
Leyden, Stedelijk Museum de Lakenhal, on loan
Cologne, Wallraf-Richartz Museum, 30 Oct. 1987-10 Jan. 1988, Zürich, Kunsthaus, 3 March-24 April 1988, and Lyon, Musée des Beaux-Arts, 18 May-17 July 1988, Triumph und Tod des Helden, pp. 173-4, no. 4, illustrated
Amsterdam, Het Rembrandthuis, Pieter Lastman, the man who taught Rembrandt, 7 Dec. 1991-16 Feb. 1992, pp. 86-7, no. 1, illustrated in colour
Tokyo, Bunkamura Museum of Art, 15 April-7 June 1992, Chiba, Kawamura Memorial Museum of Art, 13 June-2 Aug. 1992, and Yamaguchi, Yamaguchi Prefectural Museum of Art, 7 Aug.-16 Sept. 1992, Rembrandt. His teachers and his pupils, pp. 82, no. 13, and 226, illustrated in colour

Lot Essay

The signature mentioned by Freise, loc. cit., was removed during cleaning in the 1930s according to the catalogue of the 1967 exhibition.

The tambourine held by the daughter, the two standard-bearers in the foreground and the architectural details in the composition follow the first sheet in a series of engravings by Pieter de Jode after Hans Bol of the story of Jephthah (illustrated in the 1991-2 exhibition catalogue, p. 86).

To be included in the forthcoming catalogue raisonné of the work of Pieter Lastman being prepared by Astrid Tümpel as no. 53

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