THE PROPERTY OF A GENTLEMAN
Pietro da Rimini (active c. 1315-c. 1335)
Details
Pietro da Rimini (active c. 1315-c. 1335)
The Resurrection, with the Three Maries at the Sepulchre; andNoli Me tangere
tempera on gold ground panel
6¾ x 3¾in. (17 x 9.5cm.) a pair (2)
The Resurrection, with the Three Maries at the Sepulchre; andNoli Me tangere
tempera on gold ground panel
6¾ x 3¾in. (17 x 9.5cm.) a pair (2)
Provenance
G.H. Dixon; Christie's, 1 Dec. 1978, lot 30 (with the panel now in the Thyssen-Bornemisza Collection, see note below: #65,000)
Literature
G. Borghero, The Thyssen-Bornemisza Collection: Catalogue of the Exhibited Works of Art, Lugano, 1981, p. 254
G. Borghero, Thyssen-Bornemisza Collection: Catalogue Raisonné of the Exhibited Works of Art, Milan, 1986, p. 256
D. Benati, Pittura del Trecento in Emilia Romagna, in La pittura in Italia: Il Duecento e il Trecento, ed. M. Natale, Milan, 1986, p. 204, fig. 310 (the Resurrection wrongly described in the text as a Descent into Limbo; both panels incorrectly described in the text as having been sold at Sotheby's and both panels incorrectly described in the caption as now in the Thyssen-Bornemisza Collection)
M. Boskovits, Gemäldegalerie Berlin, Katalog der Gemälde: Frühe Italienische Malerei, Berlin, 1988, pp. 145 and 386, pl. 231
C. de Watteville, Thyssen-Bornemisza Collection: Guide to the Exhibited Works, Milan, 1989, p. 262
M. Boskovits, The Thyssen-Bornemisza Collection: Early Italian Painting 1290-1470, London, 1990, pp. 182-4, fig. Id
G. Freuler, catalogue of the exhibition, "Manifestatori delle Cose Miracolose" - Arte Italiana del '300 e del '400 da Collezioni in Svizzera e nel Liechtenstein, Thyssen-Bornemisza Foundation, Lugano-Castagnola, 7 April-30 June 1991, p. 124, fig. I
G. Borghero, Thyssen-Bornemisza Collection: Catalogue Raisonné of the Exhibited Works of Art, Milan, 1986, p. 256
D. Benati, Pittura del Trecento in Emilia Romagna, in La pittura in Italia: Il Duecento e il Trecento, ed. M. Natale, Milan, 1986, p. 204, fig. 310 (the Resurrection wrongly described in the text as a Descent into Limbo; both panels incorrectly described in the text as having been sold at Sotheby's and both panels incorrectly described in the caption as now in the Thyssen-Bornemisza Collection)
M. Boskovits, Gemäldegalerie Berlin, Katalog der Gemälde: Frühe Italienische Malerei, Berlin, 1988, pp. 145 and 386, pl. 231
C. de Watteville, Thyssen-Bornemisza Collection: Guide to the Exhibited Works, Milan, 1989, p. 262
M. Boskovits, The Thyssen-Bornemisza Collection: Early Italian Painting 1290-1470, London, 1990, pp. 182-4, fig. Id
G. Freuler, catalogue of the exhibition, "Manifestatori delle Cose Miracolose" - Arte Italiana del '300 e del '400 da Collezioni in Svizzera e nel Liechtenstein, Thyssen-Bornemisza Foundation, Lugano-Castagnola, 7 April-30 June 1991, p. 124, fig. I