The Property of a Gentleman FROM A COLLECTION FORMED IN FRANCE IN THE 1940S
Half page from the Hamzanameh

Details
Half page from the Hamzanameh
Mughal, circa 1562-7

gouache heightened with gold on cotton, by a group of richly hung tents among which are tethered horses, a goat and a camel, a musician plays from a platform at the top of a tall pole and people gather to marvel at him, (varnished, flaking and creasing, damages to edges), mounted on card
miniature 14¼ x 20in. (36.2 x 50.6cm.)
Literature
Gahlin,S.: The Courts of India, Indian Miniatures from the Collection of the Fondation Custodia, Paris, Amsterdam 1991, no.1, pp.4-5, pl. 1
Falk,T.(ed.): Treasures of Islam, Geneva 1985, no.119 and 120, pp. 144-6
Soudavar,A.: Art of the Persian Courts, New York 1992, no.134, pp.328-9

Lot Essay

This copy of the Hamzanameh was made for Akbar early in his reign as part of the popularisation of Islamic culture in Mughal India. It apparently took fifty artists and fourteen years to complete, comprisined fourteen volumes containing approximately 1400 paintings and, being so large, was arguably the greatest manuscript of its time, as its enthusiastic patron intended. The illustrations were supervised by the former Safavid painters, Mir Sayyid 'Ali and 'Abd al-Samad who had come to India in the reign of Akbar's father, Humayun. It comprises the earliest known Mughal paintings and its creation was instrumental in forming the classic Mughal style.

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