THE PROPERTY OF A GENTLEMAN
A FINE CHARLES II PARCEL-GILT SILVER TANKARD

Details
A FINE CHARLES II PARCEL-GILT SILVER TANKARD
unmarked, probably by Jacob Bodendick, circa 1670

Cylindrical and on spreading circular detachable foot, with detachable cast scroll handle and with leaf-capped beared mask thumbpiece, the body with detachable sleeve finely pierced and chased with cherubs playing various musical instruments, birds, fruit garlands and scrolling acanthus foliage, the hinged cover with detachable mount similarly pierced and chased and with central flower head, the rim later engraved with a crest, the interior of the cover later engraved with with the Royal crest - 8in. (20.2cm.) high
54ozs. (1,680grs.)

The crest on the rim is that of Savory for Thomas Field Savory Esq. (1779-1847)
The Royal crest if for H.R.H. The Duke of Sussex (1773-1843)

Provenance
Thomas Field Savory Esq. (1779-1847)
H.R.H. The Duke of Sussex, sold Christie's, 22 June 1843, lot 589
Thomas Field Savory Esq. (1779-1847) and then by descent to the present owner

Lot Essay

Thomas Savory was born at Cowley, Gloucestershire in 1776. At the age of 14 he was apprenticed to Thomas Cother, the principal chemist and apocathary in Cheltenham. In 1794 Thomas Paytherus established a chemist shop at 136 (later re-numbered 143) New Bond Street, in Mayfair. The business was successful but by 1806 he decided to seek new partners. It was in this year that Thomas Savory and Thomas Moore joined Paytherus to form the firm Paytherus, Savory and Moore.

The new partnership prospered and Thomas Savory lived at 22 Sussex Place, Regents Park, where he entertained lavishly. A frequent guest was the Duke of Sussex, who on one occasion, expressed his admiration for the large tankard owned by his host. Before the Duke left the house Thomas Savory arranged for the tankard to be placed in the Duke's carriage. When the Duke died in 1843, heavily in debt, Christie's were instructed to sell his large collection of gold and silver. The sale lasted four days. Savory bought back the tankard at the sale and it has remained in his family to this day.

A number of very similar tarkards survive, the majority of which have the maker's mark of Jacob Bodendick. A sleeve tankard with an identical thumbpiece and handle, by him, was exhibited at The Burlington Fine Arts Club, 1901, plate CXI.

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