THOMAS DEMAND (B. 1964)
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THOMAS DEMAND (B. 1964)

Flur (Corridor)

Details
THOMAS DEMAND (B. 1964)
Flur (Corridor)
Colour coupler print, Diasec. 1996. Signed and dated in black marker on the reverse of the wooden support.
72½ x 106 3/8in. (184.1 x 270.3cm.)
Executed in 1996, this work is from an edition of five.
Provenance
Victoria Miro Gallery, London.
Literature
'Thomas Demand', Calais 1996 (another from the edition illustrated in colour, pp. 16-17).
'Prospect 96. Photographie in der Gegenwartskunst', Frankfurt 1996 (another from the edition illustrated in colour, p. 99).
F. Bonami, R. Durand and F. Quintin, 'Thomas Demand', London 2000 (another from the edition illustrated in colour, pp. 92-93).
Exhibited
Los Angeles, Museum of Contemporary Art, 'Public Offerings', April-July 2001 (illustrated in the catalogue in colour, p. 30).
Special notice
VAT rate of 17.5% is payable on hammer price plus buyer’s premium. This lot is subject to Collection and Storage Charges.

Lot Essay

"Corridor: Three cheerless yellow doors: one will lead to Jeffrey Dahmer's apartment. Dahmer's crimes so heinous; his apartment so regular: This domestic view of the hallway almost normalizes him, making the contemplation of the actual space nearly impossible.

"(Convicted Paedophile, Kidnapper, Rapist, Pornographer, Murderer, Necrophile and Cannibal, Jeffery Dahmer found Jesus in prison and turned to a quiet, peaceful life of incarcerated repentance. He was killed by another prisoner with a mop while on cleaning duty.)

"Each of Demand's life sized sets are entirely constructed from paper. Modelled from archive photos, Demand chooses to reconstruct his scenes with forensic accuracy: each treated with the same documentary sense of suspension and qualm. Sharing the desolation of Edward Hopper and not-quite-right eeriness of Cindy Sherman's film stills, Demand's 'virtual realities' are perhaps most disturbing because they do something that virtual reality never intended: they re-create the real. These are photos of contemporary legends, the real-life media-friendly horror stories of popular gossip." (Patricia Ellis, in: 'Notorious: Thomas Demand', London 1999.)

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