PROPERTY FROM A TEXAS FOUNDATION*
Vincent van Gogh (1853-1890)

Peasant Woman, Facing Right

Details
Vincent van Gogh (1853-1890)
Peasant Woman, Facing Right
black chalk on paper
13 5/8 x 8¼in. (34.6 x 21cm.)
Drawn in Nuenen, February-March, 1885
Provenance
Mrs. Johanna van Gogh-Bonger, Amsterdam
Vincent W. van Gogh, Laren
Mrs. Visser Omes, Amsterdam
E.J. van Wisselingh & Co., Amsterdam (acquired by the present owners, 1958)
Literature
W.Vanbeselaere, De Hollandsche periode (1880-1885) in het werk van Vincent van Gogh, Amsterdam, 1937, pp. 264, 342 and 411
J.-B. de la Faille, The Works of Vincent van Gogh: His Paintings and Drawings, Amsterdam, 1970, no. F1183 (illustrated)
J. Hulsker, The Complete Van Gogh, Paintings, Drawings, Sketches, New York, 1977, no. 596 (illustrated, p. 135)
Exhibited
Amsterdam, Stedelijk Museum, Vincent van Gogh, July-Aug., 1905, no. 279
Amsterdam, Stedelijk Museum, Vincent van Gogh Teekeningen uit de verzameling mevr, J. van Gogh-Bonger en V.W. van Gogh, Dec., 1914-Jan., 1915, no. 117
Utrecht, Vereeniging Voor de Kunst, Vincent van Gogh Teekeningen collectie van mevr. J. van Gogh Bonger, Jan.-March, 1923, no. 18. The exhibition traveled to Rotterdam, Kunstring, March-April, 1923. Amsterdam, E.J. van Wisselingh & Co., Maîtres Français du XIXieme et XXieme siècles, June-Aug., 1958, no. 16 Dallas, Musuem of Art, on extended loan (1989-1997)
Further details
*This lot may be exempt from sales tax as set forth in the Sales Tax Notice at the front of the catalogue.
Sale room notice
This lot may be exempt from sales tax as set forth by the Sales Tax Notice at the front of the catalogue.

Lot Essay

Van Gogh had done many studies of heads in The Hague during 1882-1883, and after painting a series of landscapes and interiors, he returned to portraiture in late 1884 while he was staying in Nuenen.
The model in the present study is a young unidentified woman whom Hulsker has called 'Model H' (op. cit., pp. 138 and 140). She resembles Sien de Groot, who appears as the younger woman in The Potato Eaters (Hulsker, no. 734; coll. Rijksmuseum Kröller-Müller, Otterloo), and may have been related to her. In Van Gogh's portrait studies of this period.

"The characterization of the heads is very well done, but what is most noteworthy is that he has done things entirely his own way; he is not seeking a romantic idealization of the subjects, but rather a forceful and realistic rendering of them, a striving that in a few months would find its culmination in the famous The Potato Eaters." (J. Hulsker, op. cit., p. 136)