A magnificent German Rococo ormolu-mounted parcel-gilt polychrome-decorated KPM porcelain long-case clock
No VAT will be charged on the hammer price, but VA… Read more
A magnificent German Rococo ormolu-mounted parcel-gilt polychrome-decorated KPM porcelain long-case clock

BY THE BERLIN KONIGLICHE PORZELLAN MANUFAKTUR (KPM), CIRCA 1895

Details
A magnificent German Rococo ormolu-mounted parcel-gilt polychrome-decorated KPM porcelain long-case clock
By the Berlin Konigliche Porzellan Manufaktur (KPM), Circa 1895
Surmounted by two playing putti, above a circular dial, the movement inscribed 22 LENZKIRCH AG U 1MILLION 786250 AGUL, flanked to each side by pierced foliage, above a seated girl holding a flower in one hand, on four scroll feet, the underside numbered D 3555 A, above a scallop shell, the tapering body surmounted by a winged female figure blowing a trumpet, flanked to each side by a seated child, centred to the front by a medallion cartouche depicting the gardens of the palace of Sans-Souçi, above a pierced trellis base, on a spreading foliate socle, centred to the front by a foliate cartouche, on a stepped spreading white marble base; the underside of the case signed KPM 1763 under a regal globe
104 in. (264 cm.) high overall
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

It is believed that no more than 6 clocks of this design were ever produced, one of them being the model given by Kaiser William II to his grandmother, Queen Victoria. It was placed at Osborne House circa 1895, where it remains to this day.

This series of clocks were believed to have been made to a design by Alexander Kips the first of which was produced in 1890

The Berlin Konigliche Porzellan Manufaktur, known as KPM, was founded in the first half of the 18th century and, after financial difficulties, was taken over by Frederik the Great in 1763. Royal participation in the factory continued with particular interest being shown by Frederik Wilhelm III (1777-1840) whose royal patronage, together with growing demand from an increasingly wealthy middle class, provided it with a solid base in the early 19th century.

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