ARTISTS, DONS & CLERGY -- A collection of 57 Vanity Fair chromolithographs dating from 1875-1904, the majority by 'Spy', including 'The Modern Wiertz' (M. Jan Van Beers), September 12th 1891, 'Mr. John Hare' (John Hare), March 1st 1890, 'He Paints Portraits and Ideas' (George Frederick Watts R.A.), December 26th 1891, 'Bronze Statuary' (William Hamo Thornycroft R.A.), February 20th 1892, 'Spooner' (W.A. Spooner M.A.), April 21st 1898; other artist include 'Sic' 'Esther Waters' (George Moore), January 21st 1897, 'A Child of the Ghetto' (Israel Zangwill), February 25th 1897, 'A.J.M.' 'Ape' (Carlo Pellegrini), April 27th 1889, 'Stuff', 'Hay', 'F.T.D.', 'Ape', 'Guth' and 'Lib', 15½ x 10½in. (occasional marginal soiling and tears). (57)

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ARTISTS, DONS & CLERGY -- A collection of 57 Vanity Fair chromolithographs dating from 1875-1904, the majority by 'Spy', including 'The Modern Wiertz' (M. Jan Van Beers), September 12th 1891, 'Mr. John Hare' (John Hare), March 1st 1890, 'He Paints Portraits and Ideas' (George Frederick Watts R.A.), December 26th 1891, 'Bronze Statuary' (William Hamo Thornycroft R.A.), February 20th 1892, 'Spooner' (W.A. Spooner M.A.), April 21st 1898; other artist include 'Sic' 'Esther Waters' (George Moore), January 21st 1897, 'A Child of the Ghetto' (Israel Zangwill), February 25th 1897, 'A.J.M.' 'Ape' (Carlo Pellegrini), April 27th 1889, 'Stuff', 'Hay', 'F.T.D.', 'Ape', 'Guth' and 'Lib', 15½ x 10½in. (occasional marginal soiling and tears). (57)

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