PORTA, Giambattista (1536-1615). Natural Magick in twenty books ... wherein are set forth all the riches and delights of the natural sciences, London: for Thomas Young, and Samuel Speed, 1658, 2°, FIRST EDITION IN ENGLISH, engraved frontispiece by Robert Gaywood, printed title in black and red, woodcut illustrations (frontispiece, title and preliminaries frayed at margins, library markings on verso of title and C1r, paper fault on L3, several leaves with clean tears, early leaves slightly damaged at lower margin, some browning), late 19th or early 20th century calf, spine gilt (rubbed). [Norman 1726; Thorndike VI, p. 418; Wheeler Gift 64b; Wing P2982]

Details
PORTA, Giambattista (1536-1615). Natural Magick in twenty books ... wherein are set forth all the riches and delights of the natural sciences, London: for Thomas Young, and Samuel Speed, 1658, 2°, FIRST EDITION IN ENGLISH, engraved frontispiece by Robert Gaywood, printed title in black and red, woodcut illustrations (frontispiece, title and preliminaries frayed at margins, library markings on verso of title and C1r, paper fault on L3, several leaves with clean tears, early leaves slightly damaged at lower margin, some browning), late 19th or early 20th century calf, spine gilt (rubbed). [Norman 1726; Thorndike VI, p. 418; Wheeler Gift 64b; Wing P2982]

Lot Essay

First published in 4 books in 1558, and then in the expanded 20 book version of 1589, Porta's treatise partly represents work he undertook at the Accademia dei Segreti, which he founded, and is on subjects as diverse as "the Generation of Animals," and "Production of new Plants," "Increasing Household-Stuff," "the Wonders of the Lode-stone," "strange Cures," "Beautifying Women," "Fishing, Fowling, Hunting," "Invisible Writing," "Strange Glasses," "Pneumatick Experiments," and, finally, "Chaos." Although there was a strong portion of credulity mixed with Porta's empiricism, he was, as Norman states, "the first to add a concave lens to the aperture of the camera obscura, and his comparison of the camera lens to the pupil of the eye provided an easily understood demonstration that the source of visual images lay outside the eye, thus ending a centuries-old controversy."

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