Thomas Struth (b. 1954)
On occasion, Christie’s has a direct financial int… Read more Property from the Hans Grothe Collection
Thomas Struth (b. 1954)

Rijksmuseum Amsterdam I

Details
Thomas Struth (b. 1954)
Rijksmuseum Amsterdam I
color coupler print
65¾ x 84¼ in. (167.2 x 215.2 cm.)
Executed in 1990. This work is number ten from an edition of ten.
Provenance
Monika Sprüth Galerie, Cologne
Achenbach Kunsthandel, Düsseldorf
Exhibited
Hamburg, Kunsthalle, Thomas Struth- Museum Photographs, November 1993-January 1994, pp. 52-53, pl. 12 (illustrated; another print exhibited)
Special notice
On occasion, Christie’s has a direct financial interest in lots consigned for sale. This interest may include guaranteeing a minimum price to the consignor which is secured solely by consigned property. This is such a lot.
Sale room notice
This work is signed, numbered, titled and dated 'Rijkmuseum Amsterdam I 1990 10/10 Thomas Struth' (on the reverse)

Lot Essay

Rijksmuseum Amsterdam I is a classic example of the work of Thomas Struth. The young woman, whose clothes seem to match those of the figures in Rembrandt's painting, stares out just beyond the viewer. The figures in the painting appear to follow her gaze. The tables have been turned: usually the viewer is given the full narrative within the frame. However here, one senses the main activity is occuring beyone the viewer's range of sight. Struth is playing off of the painting by Rembrandt, which was designed to hold the viewers gaze directly. The young woman instead turns her back on Rembrandt, and directs her curiosity towards the presence of the contemporary artist. The Rembrandt portrait stares at her, as she stares at Struth, who in turn watches her while we, as viewers observe the whole scene. Perhaps where this picture differs from similar ones in this series is in the lack of spontaneity, blurring the boundaries between Struth's museum series and the artist's earlier portrait series.

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