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Zeichensaal (Drafting Room)
Details
Thomas Demand (b. 1964)
Zeichensaal (Drafting Room)
signed and dated 'Thomas Demand 1996' (on the reverse)
chromogenic print on photographic paper and Diasec
72¼ x 112¼ in. (183.5 x 285 cm.)
Executed in 1996. This work is from an edition of five with one artist proof.
Zeichensaal (Drafting Room)
signed and dated 'Thomas Demand 1996' (on the reverse)
chromogenic print on photographic paper and Diasec
72¼ x 112¼ in. (183.5 x 285 cm.)
Executed in 1996. This work is from an edition of five with one artist proof.
Provenance
Monika Sprüth Galerie, Cologne
Literature
P. Ellis, Eurovision, London 1998
C. Doswald, Missing Link. Menschen-Bilder in der Fotografie, Bern 1999, p. 61 (illustrated)
A. Ruby, "Thomas Demand. Memoryscapes", Parkett No. 62, Zurich 2001, p. 131 (illustrated)
C. Doswald, Missing Link. Menschen-Bilder in der Fotografie, Bern 1999, p. 61 (illustrated)
A. Ruby, "Thomas Demand. Memoryscapes", Parkett No. 62, Zurich 2001, p. 131 (illustrated)
Exhibited
Kestner-Gesellschaft Hannover, Markus Lüpert, Bilder 1970-1983, August-October 1983
Kunstmuseum Bonn; and Künstler-Räume, Sammlung Hans Grothe, March-April 1995
Düsseldorf, Kunstsammlung NRW, Markus Lüpert, March-June 1996
Kunsthalle Zurich; and Kunsthalle Bielefeld, Thomas Demand, March-September 1998, (illustrated; another print exhibited)
Pittsburgh, The Carnegie Museum of Art, The Carnegie International, November 1999-March 2000, p. 26 (illustrated; another print exhibited)
Kunstmuseum Bonn; and North Miami, Museum of Contemporary Art, Great Illusions: Demand, Gursky, Ruscha, June-November 1999, p. 33 (illustrated; another print exhibited)
Duisburg, Museum Küppersmühle-Sammlung Grothe, Tomorrow For Ever, October 1999-January 2000
Duisburg, Museum Küppersmühle-Sammlung Grothe, Photo und Papier, February-June 2000
Paris, Fondation Cartier pour l'art contemporain, Thomas Demand, November 2000-February 2001, pp. 34-35 (illustrated; another print exhibited)
Kunstmuseum Bonn; and Künstler-Räume, Sammlung Hans Grothe, March-April 1995
Düsseldorf, Kunstsammlung NRW, Markus Lüpert, March-June 1996
Kunsthalle Zurich; and Kunsthalle Bielefeld, Thomas Demand, March-September 1998, (illustrated; another print exhibited)
Pittsburgh, The Carnegie Museum of Art, The Carnegie International, November 1999-March 2000, p. 26 (illustrated; another print exhibited)
Kunstmuseum Bonn; and North Miami, Museum of Contemporary Art, Great Illusions: Demand, Gursky, Ruscha, June-November 1999, p. 33 (illustrated; another print exhibited)
Duisburg, Museum Küppersmühle-Sammlung Grothe, Tomorrow For Ever, October 1999-January 2000
Duisburg, Museum Küppersmühle-Sammlung Grothe, Photo und Papier, February-June 2000
Paris, Fondation Cartier pour l'art contemporain, Thomas Demand, November 2000-February 2001, pp. 34-35 (illustrated; another print exhibited)
Special notice
On occasion, Christie’s has a direct financial interest in lots consigned for sale. This interest may include guaranteeing a minimum price to the consignor which is secured solely by consigned property. This is such a lot.