Lot Essay
The stylistic features of this royal portrait, including the form of the ears and lips, the cosmetic stripes of the eye with plastic brow, and the treatment of the strap of the false beard at the juncture of the crown's tab, all confirm that this sculpture was originally a portrait of Amenhotep III. However, like so many colossal monuments, this head was usurped by a later king, and through careful re-cutting of the eyes, the image was transformed, presumably during the reign of Ramesses II (1290-1224 B.C.).
For an analysis of the stylistic traits of Amenhotep III portraiture see Strauss-Seeber, "Kriterien zur Erkennung der königliche Rundplastik Amenophis'III" in Berman, ed., The Art of Amenhotep III: Art Historical Analysis. For an enthroned colossal sculpture of Amenhotep III re-cut for Ramesses II see no. 14 in Kozloff and Bryan, Egypt's Dazzling Sun, Amenhotep III and His World.
For an analysis of the stylistic traits of Amenhotep III portraiture see Strauss-Seeber, "Kriterien zur Erkennung der königliche Rundplastik Amenophis'III" in Berman, ed., The Art of Amenhotep III: Art Historical Analysis. For an enthroned colossal sculpture of Amenhotep III re-cut for Ramesses II see no. 14 in Kozloff and Bryan, Egypt's Dazzling Sun, Amenhotep III and His World.