A CHIPPENDALE CARVED MAHOGANY BLOCK-FRONT SLANT-FRONT DESK
VARIOUS PROPERTIES
A CHIPPENDALE CARVED MAHOGANY BLOCK-FRONT SLANT-FRONT DESK

BOSTON OR SALEM, MASSACHUSETTS, 1760-1780

Details
A CHIPPENDALE CARVED MAHOGANY BLOCK-FRONT SLANT-FRONT DESK
Boston or Salem, Massachusetts, 1760-1780
The rectangular top above a blocked lid opening to reveal a fitted interior with central prospect section with carved door flanked by document drawers with pilasters and three pigeonholes over a short drawer flanked by two concave drawers, the upper with carved shell, all above two long drawers, the blocked case with four long drawers, over a central pendant drop, on bracket feet with spurs, appears to retain its original brasses, the top drawer is lined with papers from an 1813 account book
44¼in. high, 40in. wide, 24¼in. deep
Provenance
Dwight Blaney Cram
Elizabeth Blaney Cram
Sold in these Rooms, 23 June 1993, lot 174
Literature
Frances Clary Morse, Furniture of the Olden Time (New York, 1946), fig. 104, p. 133.

Lot Essay

This blockfront desk is a symbol of worldliness, conspicuous consumption and success. Ledger pages removed from an 1813 account book that record sales to New York and Boston of mahogany and salt are glued to the interior of the top drawer of this piece. These pages indicate that the owner of the desk was involved in mercantile pursuits, well-traveled, and able to afford the luxury of a blockfront desk, from which much of his business was likely transacted.

The desk is fashioned with a stepped interior common among Massachusetts examples, and is one of the few examples with a blocked front and matching blocked lid. The labor-intensive and expensive feature of additional blocking was borrowed from desks produced in Newport. Patrons in Salem selected this extra embellishment more often than their Boston counterparts, although Boston examples are also known. The case is constructed without a giant dovetail, a technique often associated with furniture made in Boston. The lack of this feature, as well as the presence of the blocked lid, supports a Salem attribution for the manufacture of this desk. Strong commercial ties that linked Salem with Newport, both of which were locations for quarterly meetings of the Quaker community, were vehicles for the transmission of styles and ideas between these regions. See Lovell, "Boston Blockfront Furniture," Boston Furniture of the Eighteenth Century (Charlottesville, 1974), pp. 77-133.

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