Lot Essay
Bateaux au Havre is not a topographical seascape, but an invention of Dufy's. In his introduction to the Art's Council Dufy exhibition in 1983, which included Bateaux au Havre, Bryan Robertson tells us that; 'Dufy invented a cultivated and lovingly tended paradise in the ancient Persian sense of an enclosed and protected garden.' Dufy considered truth to appearance to be of minor importance. Over time he developed a universe of emblems used as a kind of language to describe what was around him. Various elements of his personal artistic vocabulary are recognisable in the present work such as the swimmer, the sailing boat and the butterflies.