Rineke Dijkstra (B. 1959)
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Rineke Dijkstra (B. 1959)

Coney Island, NY, USA, June 20, 1993

Details
Rineke Dijkstra (B. 1959)
Coney Island, NY, USA, June 20, 1993
signed 'Rineke Dijkstra' (on the backing board)
C-print
60¼ x 50¾in. (153 x 129cm.)
Executed in 1993, this work is number two from an edition of six.
Provenance
Galerie Bob von Orsouw, Zurich.
Literature
B. Uccia, 'Rineke Dijkstra. Beaches', Zurich 1996 (another from the edition illustrated in colour, p. 15).
A. Grundberg, 'Out of the Blue', in 'Artforum', May 1997 (another from the edition illustrated in colour, p. 86).
'Menschenbilder', Bottrop 1998 (another from the edition illustrated in colour, unpaged).
S. Boxer, 'The Guggenheim Sounds the Alarm: It Ain't Necessarily So', in: 'The New York Times', March 1999 (another from the edition illustrated, p. E37).
'I am a Camera', London 2001 (another from the larger format edition illustrated in colour, no. 224, unpaged).
J. Morgan (ed.), 'Rineke Dijkstra. Portraits', Boston 2001 (another from the edition illustrated in colour, p. 35).
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

In recent years, photographic images of adolescents have challenged our long-held notion of the innocence of childhood for all kinds of reasons. The work of the Dutch photographer Rineke Dijkstra, best known for her series of teenagers posing on the shores of beaches across the globe, is a prime example of how otherwise harmless images can be interpreted in ways far beyond the artist's original intentions. In all of her portraits of adolescents, teenagers, and young adults, she cleverly combines formal classicism with brooding psychological intensity.

Generally standing in bathing suits with their hands at their sides, the teens were diligent, calm and curious. In one, two African-American youths, one tall and one short, stand on a beach on Long Island. While the taller boy looks vulnerable and sensitive, the shorter one challenges the camera with an aggressive stare - together, they provide the flip sides of the adolescent equation. In the present work, 'Coney Island, New York', a young girl stands on a cold, deserted beach wearing a bathing suit in which she has just been swimming. Her whole demeanour suggests extreme discomfort, yet she holds her pose with a mixture of pride and obedience.

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