A LOUIS XV/XVI ORMOLU-MOUNTED TULIPWOOD, ROSEWOOD AND BOIS SATINE SECRETAIRE A ABATTANT
THE PROPERTY OF A GENTLEMAN (Lot 400)
A LOUIS XV/XVI ORMOLU-MOUNTED TULIPWOOD, ROSEWOOD AND BOIS SATINE SECRETAIRE A ABATTANT

ATTRIBUTED TO PHILIPPE-CLAUDE MONTIGNY, CIRCA 1770

Details
A LOUIS XV/XVI ORMOLU-MOUNTED TULIPWOOD, ROSEWOOD AND BOIS SATINE SECRETAIRE A ABATTANT
Attributed to Philippe-Claude Montigny, Circa 1770
The rectangular brèche d'Alep marble top above an acanthus-mounted frieze drawer and a fall-front flanked by scrolled volute-mounted angles and centered by a spread-winged eagle escutcheon above a classically-clad female figural mount, reversing to a black leather-lined writing surface, the interior with seven compartments, two secret drawers, four drawers and a secret compartment, the lower section with a pair of doors enclosing three compartments and a coffre fort, with a greek-key mounted base and bracket feet, the back with a label inscribed EW STREET/AVENUE/NY and a further label inscribed SOTHEBYS Exposition, 7-15 Mars 1998, Trésors des Collections privées/Les Chefs d'Oeuvre du mobilier Français/Galerie Charpentier, 76 Faubourg St. Honoré, Paris and in chalk 743 and the top in red 66, the marble with printed labels S280, B.F.A.T.-V.I.S./0009/24 AND C16 and in pencil 280
53¼in. (135.5cm) high, 37½in. (95.5cm) wide, 15½in. (39.5cm) deep
Provenance
Formerly in the collection of Jacqueline Delubac
Literature
A. Pradére, Les Ebénistes Français de Louis XIV à la Révolution , Paris, 1989, p. 305, fig. 343.
Exhibited
Musée des Arts Décoratifs, Paris, Grands ébénistes et menuisiers parisiens du XIIIe siècle, 1955-56, no. 212.
Sale room notice
Please note the following further information regarding this lot:

PROVENANCE:
Collection M. Zarine.
Sold Paris, 5 December 1917, lot 66, illustrated.

EXHIBITION:

Inaugural exhibition, Sotheby's, Galerie Charpentier, Trésors des Collections privées, 7-15 March 1998.


RELATED EXAMPLES:

The three other known examples of this model of secretaire are:

1. An example stamped Montigny, in the collection of the Musée du Louvre, currently housed in the Musée des Arts Décoratifs, sold Paris Ader-Picard-Tajan 15 March 1983, lot 171 (900,000FF).

2. One formerly in the collection of E. Chappey, illustrated in Les Arts 1912: Exposition Rétrospective de l'art Français des Origines à 1800, 1900, Petit Palais, no. 2888.

3. A further example, with the following provenance:
Lebeau sale, 1846, no. 90
Duplessis sale, 10 March 1917, no. 124
X sale, 30 May 1951, no. 108.
Collection of Madame André Hammel
With Frank Partridge, London, 1974

Lot Essay

PHILIPPE CLAUDE MONTIGNY

This magnificent secretaire with its architectural profile and bold Gout Grec mounts can be securely attributed to the distinguished ébéniste Philippe Claude Montigny (1734-1800). Acknowledged in his day as a specialist in the restoration and production of Boulle marquetry furniture, he was clearly influenced by the earlier master throughout his work. This inspiration is demonstrated by the robust scrolled mounts that adorn the angles of this secretaire, which are almost directly drawn from angle mounts by Boulle, seen frequently within his oeuvre, such as the series of bibliothèque basses of which six are in the Louvre (D. Alcouffe, A. Dion-Tenenbam and A. Levébure, Furniture Collections in the Louvre, Dijon, 1993, nos. 28 and 29, pp. 98-100). Furthermore, the figural female mount is thought to be inspired by a similar mount on a clock by Cressent (A. Pradére, op.cit., p. 305.)

SECRETAIRES OF THIS MODEL
There are three other known examples of this model of secretaire, with very slight variation:

1. A virtually identical example is in the collection of the Musée des Arts Décoratifs, Paris.

2. A secretaire of identical design to this example, sold at Drouot, Paris, in 1983.

3. Another unstamped example, from the collection of Edouard Chappey, sold 27-31 May, 1907, no. 1 454.

JACQUELINE DELUBAC
Born in Lyon in 1907, Jacqueline Delubac began a successful acting career in Valence and travelled to Paris where she met her first husband, Sacha Guitry, the celebrated French actor, director and "master of irony". Despite their twenty-five year age difference, the pair went on to make together roughly ten of the twenty-five films which constituted her career. Stylish and charming, Jacqueline and her second husband, Myran Eknayan, formed a highly distinguished collection of modern pictures, including works by Bacon, Léger, Manet, Picasso, Renoir and others. After her death in 1997, the Musée des Beaux Arts de Lyon dedicated galleries in both her name and in her husband's. Jacqueline's refined but eclectic tastes were evident not only in her collections of fine art and furniture, but equally in her wardrobe, which is currently preserved in the Musée des Arts Décoratifs in Paris. From her provincial origins, Jacqueline Delubac became a remarkable, fashionable and elegant figure of Parisian society.

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