TWO SEVRES GREEN-GROUND PLATES (ASSIETTES A PALMES)
TWO SEVRES GREEN-GROUND PLATES (ASSIETTES A PALMES)

BLUE INTERLACED L'S MARK TO BOTH, ONE CIRCA 1763, WITH PAINTER'S MARK FOR NICQUET AND GILDER'S MARK FOR CHAUVAUX, THE OTHER WITH DATE LETTERS II FOR 1786, PAINTER'S MARK FOR PIERRE LE JEUNE AND GILDER'S MARK FOR VINCENT, INCISED 350

Details
TWO SEVRES GREEN-GROUND PLATES (ASSIETTES A PALMES)
Blue interlaced L's mark to both, one circa 1763, with painter's mark for Nicquet and gilder's mark for Chauvaux, the other with date letters ii for 1786, painter's mark for Pierre le jeune and gilder's mark for Vincent, incised 350
Each painted with fruit and flowers, the shaped border moulded with pairs of foliate scrolls enriched in gilt and suspending garlands of flowers linking three oval cartouches of similar flowers
9½in. (24.2cm.) diam. (2)
Provenance
With Adrian Sassoon and John Whitehead

Lot Essay

The present two plates are similarly decorated to those supplied to the Court at Parma through its agent M. Bonnet on 14 May 1765. 148 plates from this dessert service are retained at the Palais du Quirinal, Rome. Three of the cheese dishes and two biscuit figures from the original set are in the Palazzo Pitti, Florence.

A plate with date letter M for 1765 and painter's mark for Thévenet is in the British Museum. A plate with date letter P for 1768 and painter's mark for Pierre le jeune from the collection of Charles-Otto Zieseniss was sold Christie's Paris, 6 December 2001, lot 127. A set of ten plates with date letter K for 1763 and a pair of plates with date letter S for 1771 were sold Sotheby's London, 14 July 1998, lots 74, 76. In addition, fifteen plates dated 1783 from the collection of Florence J. Gould were sold Sotheby's, Monaco, 27 June 1984, lot 1537.

Given the number of examples extant made nearly twenty years after the original service, there was either a large order for supplemental pieces to this service or, more likely, a second service made with similar decoration. The present two examples are interesting in that they permit an immediate comparison of ground colors between the two productions.

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