A RARE AND VERY FINE 18TH CENTURY 5IN. RADIUS VERNIER SEXTANT BY JOHN STANCLIFFE
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A RARE AND VERY FINE 18TH CENTURY 5IN. RADIUS VERNIER SEXTANT BY JOHN STANCLIFFE

Details
A RARE AND VERY FINE 18TH CENTURY 5IN. RADIUS VERNIER SEXTANT BY JOHN STANCLIFFE
the 'Y' frame, arc and scale cast as one, signed on the cross bar Stancliffe, London, the scale, divided directly on the arc by Stancliffe's Engine, divided 2°- 0°- 145°, vernier divided 0°- 20° on the index arm, with clamp and fine screw adjustment over, detachable reflector and swivel magnifier, adjustanble and detachable sighting tube assembly, sighting tubes, two mirrors, six shades and threaded octagonal ebony handle behind, contained within fitted mahogany keystone case with accessories, mother-of-pearl lock plate and outer leather cover (incomplete, stitching fragile) -- 6½in. (16.5cm.) high
See illustration
Literature
Clifton, G: Directory of British Scientific Instrument Makers 1550-1851, Zwemmer 1995
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

John Stancliffe manufactured instruments between 1779 and 1812, initially from 26 Little Marylebone St, Cavendish Square and then from 1793 at another address in Little Marylebone. He worked for Jesse Ramsden whose famous division engine had revolutionised octant and sextant production with highly accurate scales. Many other manufactureres paid him to produce scales for their instruments and the various anchor marks will be familiar to collectors. After observing Ramsdens engine Stancliffe built his own, completeing in in 1788, and set up a business making sextants. The lot offered is a high quality product with advanced features [such as the vernier magnifier and light enhancer] which only became standard fifty or more years later. Of particular interest is the unusual technique of engraving a scale directly on to an arc instead of the usual method of insetting a scale of bone or precious metal, it is also between and third and a quarter the size of an average contemporary instrument and together with the ingenious compact case mark it out as an expensive instrument of very high quality.

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