Briton Riviere (1840-1920)
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Briton Riviere (1840-1920)

Endymion 'Ah! well-a-day, Why should our young Endymion pine away!' - Keats, Endymion, 1818, lines 183-184.

Details
Briton Riviere (1840-1920)
Endymion 'Ah! well-a-day, Why should our young Endymion pine away!' - Keats, Endymion, 1818, lines 183-184.
signed and dated 'B Riviere 80' (lower left), and signed and inscribed 'Briton Riviere A.R.A. 82 Finchley Road N.W. Endymion "Ah, well-a-day, why should our young Endymion pine away!" Keats.' (on a label on the reverse of the stretcher)
oil on canvas
40½ x 56¼ in. (102.9 x 142.9 cm.)
Provenance
with Kurt E. Schon, Ltd., New Orleans.
Exhibited
London, Royal Academy, 1880, no. 644.
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

Like Landseer before him, Riviere sought to give his animal subjects a heroic dimension. An academic artist, working at the heyday of late Victorian classicism, he often did this by introducing a classical reference, as in the present picture. In Greek mythology Endymion was a handsome shepherd boy with whom the moon goddess Selene became enamoured. She descended from heaven every night to visit him on Mount Latmus, and begged Zeus to grant him eternal life, so that these trysts might continue unabated.

The subject inspired a number of Victorian artists, including Noel Paton, E.J.Poynter, Walter Crane and G.F.Watts. Riviere follows Keats' description: Endymion's garments which resemble 'a chieftain king's' and his smile which yet harbours a 'lurking trouble on [the] nether lip'.

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