A CARVED IVORY AND ROSEWOOD-VENEERED CRUCIFIX
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A CARVED IVORY AND ROSEWOOD-VENEERED CRUCIFIX

ATTRIBUTED TO JOSEPH VILLERME (DIED CIRCA 1720), CIRCA 1700-1720

Details
A CARVED IVORY AND ROSEWOOD-VENEERED CRUCIFIX
Attributed to Joseph Villerme (died circa 1720), circa 1700-1720
With inscribed ivory titulus above, and ivory skull and crossbones below; in a velvet-lined wooden case with removable cover.
Minor cracks overall; repair to ivory titulus; several sections of veneer loose and lacking; wear to velvet lining and restoration to wooden case.
36 3/8 in. (92.7 cm.) high, the figure of Christ
73½ in. (187.4 cm.) high, overall
74 7/8 x 38 3/8 x 7 7/8 in. (190.9 x 97.8 x 20.1 cm.) the case
Provenance
Probably the Marquis Philippe de Chennevières, before 1857.
Purchased in Paris by A. Dubus, 12 September, 1889, and thence by descent to the present owner.
Literature
A. Dubus, La Légende Brayonne du Chef-d'oeuvre de Villerme, Sculpteur Français, Tiré des notes biographiques de Mariette et de Monsieur le Marquis Ph. de Chennevières, Neufchâtel-en-Bray, 1925.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Joseph Villerme was born in Saint-Claude, Franche Comté, and studied under LeBrun before travelling to Rome. He was noted for his piety, and eventually undertook to carve only crucifixes in either ivory or wood, a number of which entered the collection of the Marchese Pallavicini, who decorated an entire gallery with the sculptor's work. The present lot was discovered by the Marquis de Chennevières in a 'marchands de curiosités' in the Corso, close to the via Vittoria, Rome, in the mid 19th century. It is highly likely that he purchased it and brought it to France where it re-appeared on the market in 1889. In praising the crucifix, the French nobleman said that of all the greatest sculptors of Versailles, the Gobelins, and even Rome, none had succeeded better at translating the art and the faith of his century and his country than the creator of the crucifix (translated from the French text quoted in Dubus, op.cit.).

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