EMILY KAME KNGWARREYE (C. 1910-1996)
A 10% Goods and Services tax (G.S.T) will be charg… Read more
EMILY KAME KNGWARREYE (C. 1910-1996)

POST SUMMER ABUNDANCE

Details
EMILY KAME KNGWARREYE (C. 1910-1996)
POST SUMMER ABUNDANCE
with artist name 'Emily Kngwarreye'; and with Delmore Gallery no. '93DO45' (on the reverse)
synthetic polymer paint on canvas
91 x 152 cm
Painted in 1993
This painting is to be sold with an accompanying certificate of authenticity from Delmore Gallery, Northern Territory
Provenance
Delmore Gallery, Alice Springs
Chapman Gallery, Canberra
Acquired from the above by the present owner in 1993
Special notice
A 10% Goods and Services tax (G.S.T) will be charged on the Buyer's Premium on all lots in this sale.

Lot Essay

"In this brightly resolved work, Emily defines the post-summer dryness that creates a muted scattered carpet of seeds and grasses over the country. Her life-long observations of her place called Alalgura has taught her that despite the dryness, those underground tuber vegetables and certain berries are just right for picking. When wind sweeps away the grasses, and leaves a near bare country, survival becomes tough.

Underlying this work are light hints in pink of her main story, namely, off the Anooralya yam. These lines suggest the body-paint lines that she applied to herself in ceremony ("awelye"). As well, these lines indicate the underground root system of the yam. From an aerial perspective, a layered view of leaves, petals, seeds and fruit intermingle on the ground. The colours indicate the stage of maturity of the food sources. Part of the eductaion that is integral to ceremony, is learning how to recognise the readiness of foods for eating and how to prepare them. Some species are suitable and medicine, others are used as love potions. Paramount to these ceremonies, is the belief that these songs, stories and ritual help assure survival."

Courtesy of Vi$copy, Australia

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