Giovanni Battista Piranesi (1720-1778)
S. Paolo Fuori le Mura, interior; S. Maria Maggiore with the column; S. Sebastiano; The Piazza Navona, with S. Agnese on the right; The Fontana di Trevi, side view; The Harbour and Quay, called the Ripa Grande; The smaller harbour, called the Porto di Ripetta; The Ponte Salario; The Fontana dell' Acqua Giulia; The Pyramid of Caius Cestius; The capitol and the steps of S. Maria in Aracoeli; Roman arches at the church of SS. Giovanni E Paolo; The portico of Octavi, the entrance porch, interior; The Ponte Lucano, with The Tomb of the Plautii; The waterfall at Tivoli; The Temple of Saturn, with a corner of the Arch of Septimius Severus in the foreground; S. Giovanni in Laterano. The main facade with the Campagna on the left
etchings
S. 19¾ x 28in. (50.2 x 71cm.)
with a further 8 engraved Roman views including The Pantheon; St Peter's with forecourt and colonnades; and The Arch of Constantine, by Domenico Pronti; Francesco Morelli; Francesco Barbazza and others, 2 architectural Piranesi etchings and 1 early 19th century grey wash drawing
Giovanni Battista Piranesi (1720-1778)
S. Paolo Fuori le Mura, interior; S. Maria Maggiore with the column; S. Sebastiano; The Piazza Navona, with S. Agnese on the right; The Fontana di Trevi, side view; The Harbour and Quay, called the Ripa Grande; The smaller harbour, called the Porto di Ripetta; The Ponte Salario; The Fontana dell' Acqua Giulia; The Pyramid of Caius Cestius; The capitol and the steps of S. Maria in Aracoeli; Roman arches at the church of SS. Giovanni E Paolo; The portico of Octavi, the entrance porch, interior; The Ponte Lucano, with The Tomb of the Plautii; The waterfall at Tivoli; The Temple of Saturn, with a corner of the Arch of Septimius Severus in the foreground; S. Giovanni in Laterano. The main facade with the Campagna on the left
etchings
S. 19¾ x 28in. (50.2 x 71cm.)
with a further 8 engraved Roman views including The Pantheon; St Peter's with forecourt and colonnades; and The Arch of Constantine, by Domenico Pronti; Francesco Morelli; Francesco Barbazza and others, 2 architectural Piranesi etchings and 1 early 19th century grey wash drawing