A LOUIS XVI TULIPWOOD, KINGWOOD AND FLORAL MARQUETRY TABLE A ECRIRE-PUPITRE-ECRAN
A LOUIS XVI TULIPWOOD, KINGWOOD AND FLORAL MARQUETRY TABLE A ECRIRE-PUPITRE-ECRAN

LATE 18TH CENTURY, STAMPED CC SAUNIER AND JME

Details
A LOUIS XVI TULIPWOOD, KINGWOOD AND FLORAL MARQUETRY TABLE A ECRIRE-PUPITRE-ECRAN
Late 18th century, stamped CC SAUNIER and JME
The breakfront rectangular top with central cartouche with raiseable metal-thread embroidered silk screen and with sprung reading support, above a green leather-lined writing-slide and a breakfront simulated drawer and drawer, the right side with a drawer, on square tapering legs joined by an undertier, stamped CC SAUNIER and JME to right underside
28½in. (72cm.) high, 19½in. (50cm.) wide, 12in. (31cm.) deep
Provenance
Indianapolis Museum of Art, Indiana.

Lot Essay

Claude Charles Saunier, maître in 1752.

Descending from a family of ébénistes, Saunier was accepted into the community and the workshop of his father, Jean-Charles, in 1752. Located in the rue Faubourg Saint-Antoine, the premises had originally been occupied by his grandfather, Charles. Upon his succession to his father's workshop in 1765, Claude-Charles registered his letters patent and continued the business. He briefly continued to adopt the Louis XV style and then rapidly adopted the neo-classic designs of the Transitional and Louis XVI periods that he appears to have favoured, and for which he is now renowned. Saunier's success was not confined to France and his reputation reached London where, through his work for the marchand-mercier Dominique Daguerre, he supplied, amongst other collectors, Lord Spencer.

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