A NEHAN [NIRVANA] PAINTING
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A NEHAN [NIRVANA] PAINTING

LATE MUROMACHI PERIOD (15TH-16TH CENTURY)

Details
A NEHAN [NIRVANA] PAINTING
Late Muromachi Period (15th-16th Century)
Ink, colours and gofun on four panels of loosely-woven silk, mounted in silk, depicting Sakyamuni (the historical Buddha), lying down to die on a jewelled bed, his head resting on his right hand, in the background trees, the moon and clouds, at upper right a heavenly host descending on a cloud, the assembled mourners including rakan [disciples of Buddha], bodhisattvas [saints], nio, tenno [heavenly guardians] and myo-o [heavenly kings], with a large group of animals in the foreground, several of the figures with captions inscribed in ink
54¾ x 53¾in. (139 x 136.5cm.)
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VAT rate of 5% is payable on hammer price plus buyer's premium

Lot Essay

Along with the Tanjobutsu [birth of the Buddha], the Nehan [Nirvana] or Dai Nehan [Great Nirvana], the death of Sakyamuni (the historical Buddha), is one of the major events in the Buddhist liturgical calendar, and Nehan paintings are displayed on the fifteenth day of the second month by virtually all Buddhist sects. The earliest Japanese Nehan, dating from 1086, is a relatively simple composition and this style continued from the tenth to the thirteenth century, but during the thirteenth century efforts were made to make depictions of Sakyamuni's death accord more closely with scriptural precedent, with the result that compositions became considerably more crowded and complex. In addition, motifs were increasingly drawn from Chinese paintings of the Song and Yuan dynasties (11th-14th century). For comparative material, see Kyoto Kokuritsu Hakubutsukan [Kyoto National Museum], Nehanzu no meisaku [Masterpieces of Nirvana Paintings] (Kyoto, 1978).

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