Details
ANN THOMSON (b. 1933)
Untitled
screenprint, 1995, signed in pencil and numbered 36/50
P: 76 x 56 cm
John Coburn (b. 1925)
Gothic Tree on Fire - For Judith Wright
screenprint, 1995, signed in pencil and numbered 36/50
P: 50 x 70 cm
Alun Leach-Jones (b. 1937)
Untitled
screenprint, signed in pencil and numbered 36/50
P: 50 x 70 cm
Colin Lanceley (b. 1938)
For New England
screenprint, 1995, signed in pencil and numbered 36/50
P: 56 x 76 cm
John Henry Olsen (b. 1928)
New England Poem
etching and aquatint, 1995, signed in pencil and numbered 36/50
P: 29 x 44 cm
Cressida Campbell (b. 1960)
Seeds
screenprint, signed in pencil and numbered 36/50
P: 37 x 51 cm
Kevin Leslie Connor (b. 1932)
For New England
screenprint, 1995, signed in pencil and numbered 36/50
P: 42 x 51 cm
Jan Senbergs (b. 1939)
Otway Coastal
etching and aquatint, 1995, signed in pencil and numbered 36/50
P: 44 x 63 cm
(8)
Untitled
screenprint, 1995, signed in pencil and numbered 36/50
P: 76 x 56 cm
John Coburn (b. 1925)
Gothic Tree on Fire - For Judith Wright
screenprint, 1995, signed in pencil and numbered 36/50
P: 50 x 70 cm
Alun Leach-Jones (b. 1937)
Untitled
screenprint, signed in pencil and numbered 36/50
P: 50 x 70 cm
Colin Lanceley (b. 1938)
For New England
screenprint, 1995, signed in pencil and numbered 36/50
P: 56 x 76 cm
John Henry Olsen (b. 1928)
New England Poem
etching and aquatint, 1995, signed in pencil and numbered 36/50
P: 29 x 44 cm
Cressida Campbell (b. 1960)
Seeds
screenprint, signed in pencil and numbered 36/50
P: 37 x 51 cm
Kevin Leslie Connor (b. 1932)
For New England
screenprint, 1995, signed in pencil and numbered 36/50
P: 42 x 51 cm
Jan Senbergs (b. 1939)
Otway Coastal
etching and aquatint, 1995, signed in pencil and numbered 36/50
P: 44 x 63 cm
(8)
Special notice
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