THE CORNELL FAMILY TANKARD: A HIGHLY IMPORTANT SILVER TANKARD
PROPERTY OF A DESCENDANT OF THE ORIGINAL OWNER
THE CORNELL FAMILY TANKARD: A HIGHLY IMPORTANT SILVER TANKARD

MARK OF JACOBUS VAN DER SPIEGEL, NEW YORK, CIRCA 1695

Details
THE CORNELL FAMILY TANKARD: A HIGHLY IMPORTANT SILVER TANKARD
Mark of Jacobus van der Spiegel, New York, circa 1695
Tapering cylindrical, the foot applied with a meander wire below stiff-leaf cut-card border, the body engraved with an elaborate foliate cartouche with pendant fruit and centering a coat-of-arms, the hinged flat-domed cover with corkscrew thumbpiece and serrated rim engraved with foliage, the cover engraved with a leafy band with phoenixes and a winged cherub mask enclosing a foliate border with mirror cypher JLC, the scroll handle applied at the grip with a lion couchant and with a cast cherub's-head terminal, the underside of cover rim engraved circa 1800 New York 1695, marked twice near handle
7¼in. high; 33oz.
Provenance
The mirror cypher JLC is that of Johannes Cornell (b.c. 1662, d. 1749) and his wife Lammetje (Brinkerhoff) of Flatbush, Kings County. They were probably married before 1690, as their only child, Aletje Cornell, married in 1711.
Thence by descent to their grandson,
Daniel Rapalje (b.c.1714) who married Ruth Fish in 1737
Aletta Rapalje (1753-1821), daughter and only child, who married Simon Remsen (1748-1823) in 1770
Aletta Remsen (1774-d.aft.1862), daughter, who married James Strong (1783-c.1838). He was a partner in her brother's firm, Peter Remsen & Co., of Newtown, Long Island.
Benjamin Woodhull Strong (b.1829), son, who married Frances Hoffman (b.1832)
James Remsen Strong (b.1861), son, who married Lavinia Riker
Charlotte Remsen Strong, daughter
thence by descent to the present owner

Lot Essay

This previously unrecorded tankard is one of the last great 17th century New York tankards remaining in private hands. The combination of engraved and applied decoration create a "vocabulary piece" of the Dutch baroque style in early New York silver. The elaborate foliate cartouche surrounding the coat-of-arms belongs to a school of particularly fine engraving found on the best examples of New York silver from 1690 to 1720. Additionally, this tankard is one of three, all by van der Spiegel, with superb foliate engraving on the covers, distinguished by pairs of birds and/or cherub's heads (see the example at Yale, Buhler & Hood, no. 567, and the other example at the Metropolitan Museum of Art, Bulletin, Summer 1983, p. 28; and illustrations on page 72).

The Yale example, acknowledged to be the finest New York tankard known, is virtually identical to the present example. They share the same applied ornament: a lion at the handle grip, a cherub's mask on the terminal, crimped wire at the hinge and base, identically stamped cut-card leaves at the base, and a corkscrew thumbpiece. The engraving of the cartouche around the coat-of-arms and of the foliage on the cover are also the same, with the exception of the addition of a narrow border of foliage on the cover of the Yale example (see detail this page).

The coat-of-arms on the tankard was apparently adopted by the Cornell family after they came to the new world, as is the case with many New Amsterdam families. Heraldically, the tree in the center relates to many Dutch coats, including the arms of the de Peyster family (see van der Spiegel's tankard this page). The chase scene, in this case a stag and hound, also appears in recorded Dutch arms. However, the realistically depicted landscape in the background is unusual if not unique, and it is possible that the entire shield is not a coat-of-arms but rather an emblem of the Cornell family in New York. Johannes Cornell's grandfather, Guilliam Cornelis (b.c. 1600) emigrated to New Amsterdam in 1640. Guilliam was the son of a prosperous Rotterdam merchant, and his first venture in the new world was the command of a merchant vessel called Oak Tree. It is tempting to interpret the central tree in the shield on this tankard as a reference to this early family enterprise. Guilliam had acquired substantial property in Manhattan by 1647. In 1658, Pieter Stuyvesant granted him lands in Flatbush, where he undertook farming activities in addition to his career at sea.

Johannes Cornell was also a prominent landowner, and around the time of the making of this tankard, he moved from Flatbush to Jamaica, Long Island, acquiring lands there in 1688 and 1692. In 1714, he purchased 46 acres in Flushing. However, he retained the family holdings in Flatbush, which he named as his residence in his will of 1745.

Jacobus van der Spiegel (1668-1708) is recognized as one of the most skilled silversmiths of his day. Among his best known surviving work is the tankard at Yale, discussed above, and the superb standing salt at the Brooklyn Museum--the only American example of the form. Interestingly, the Yale tankard, made for Hendrick Myer of New York, is also engraved with an emblematic rather than a heraldic shield. For biographical details, see Ian Quimby, American Silver at Winterthur, p. 308, and Deborah Dependahl Watters, Elegant Plate, p. 213.


[SUPP IMAGE CAPTION - barcode 20837532]
Tankard by Jacobus van der Spiegel, engraved with the arms of de Peyster, unknown collection

[SUPP IMAGE CAPTION - barcode 20837518]
Detail of cover of tankard by Jacobus van der Spiegel, with mirror cypher RHM for Robert and Maria Harris, circa 1695. Fletcher Fund, Metropolitan Museum of Art.

[SUPP IMAGE CAPTION - barcode 20837488]
Detail of cover of tankard by Jacobus van der Spiegel, with mirror cypher HWM for Hendrick and Wyntje Myer. Yale University Art Gallery. Mr. and Mrs. Frances P. Garvan and Spotswood D. Bowers.
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