A MASSIVE BLUE AND WHITE 'BONNART' JAR AND COVER
A MASSIVE BLUE AND WHITE 'BONNART' JAR AND COVER

LATE 17TH CENTURY

Details
A MASSIVE BLUE AND WHITE 'BONNART' JAR AND COVER
Late 17th century
Painted with four large roundels showing French court ladies in sumptuous dress at various leisure pursuits in garden settings, one seated beside a fountain, one on a swing made of silk ribbons, one reaching out to pluck a fruit from a tree growing in a large jardinière, and the last reclining, enjoying the scent from a floral sprig, all reserved on a ground densely packed with peony vine, on the shoulders a flower-filled lappet collar, repeated around the domed cover
29¾in. (75.5cm.) high

Lot Essay

After late 17th century engravings of fashionable court figures by the French brothers Nicholas, Robert and Henri Bonnart, including images from 'The Elements', 'The Five Senses' and 'The Three Graces'. The brothers Bonnart were famed for their prints of the latest fashions in court costume, which they sold from studios in the rue St. Jacques. Howard & Ayers note (op. cit., pp. 77-80) that these images were influential not just in France, but throughout Europe, where French fashions were followed closely. Delft versions, as well as the dominance of the Dutch trade in this period, may indicate that these exceptional porcelains were made for the Dutch, not the French, market.
Smaller 'Bonnart' jars were in the Mottahedeh collection (see above), sold Sotheby's New York, 30 January 1985, lot 25, and in the Hodroff Collection, D.S. Howard, op. cit., p. 235. Larger versions can be seen at the Victoria & Albert Museum, London, and at Loosdrecht in the Kastel-Museum Sypesteyn (see Lunsingh Scheurleer, pl. 127)

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