Kate Hayllar (fl. 1883-1898)
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Kate Hayllar (fl. 1883-1898)

A Thing of Beauty is a Joy Forever

Details
Kate Hayllar (fl. 1883-1898)
A Thing of Beauty is a Joy Forever
signed and dated 'Kate Hayllar/1890' (lower right)
pencil, pen and black ink and watercolour, heightened with touches of white and with gum arabic
13 3/8 x 9¾ in. (34 x 24.8 cm.)
Provenance
Anon. sale [Coward Chance and Co.], Christie's, London, 22 July 1927, lot 12 (21 gns to Mrs Hill).
Anon. sale, Phillips, East Anglia, 5 April 1990, lot 53, when acquired by the present owner.
Exhibited
London, Royal Academy, 1890, no. 1190.
A Struggle for Fame, 1994, cat. p. 61.
Ladies of the Brush, 1994-5, no. 20.
The Defining Moment, 2000-1, no. 19.
Special notice

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

Kate was one of the talented Hayllar sisters (see lot 104, Edith; lot 262, Mary; and lot 267, Jessica). Like her siblings, she exhibited at the Royal Academy, from 1885 to 1898, but unlike them she chose mainly to illustrate flower pictures and still-life. Her first picture exhibited at the Royal Academy was bought by the Princess of Wales, later Queen Alexandra, wife of King Edward VII.

It is not difficult to see how she could have attracted such an important patron. The composition, though technically simple, is satisfying, and the execution superb. Kate Hayllar has assembled items then currently fashionable in every house of advanced aesthetic taste: a copy of Raphael's Madonna della Sedia is placed above an oak cabinet, beside an azalea in an imari vase. The exoticism of the east is conveyed through the vivid imperial yellow of the walls, while the chair is also upholstered with material featuring Japanese motifs.

Like her sister Jessica, Kate remained unmarried, and like her sister Edith she also gave up painting around 1900 when her family left Castle Priory, Wallingford, which had provided them with such a contented family life, and the inspiration for many of their paintings. She later became a nurse.

We are grateful to Christopher Wood for his assistance in preparing this entry.
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