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FRANCOIS BALTHASAR SOLVYNS (1760-1824)
Route dans le Bengale
etching, partly printed in colour, partly hand-coloured (475 x 600mm) after Solvyns' drawing of c. 1795, from volume II of Solvyns' Les Hindoûs, published in 4 volumes from 1808 to 1812. Abbey 430, plate no.187; Exhibited: India Observed, no.101
PRINCE ALEKSEI DMITRIEVICH SOLTYKOV (1806-1859), Festival of the Goddess Dourga at Calcutta, tinted lithograph by de Rudder after Soltykov (435 x 630mm), from Indian Scenes and Characters, London: Smith, Elder and Co, 1858 (marginal spotting); together with 10 others, comprising 2 hand-coloured lithographs by ORME after DANIELL and WARD, Distant View of Mootee Thurna and A View of Ossoore, from Twenty-four Views in Hindostan, London, 1802-5; Captain James KERSHAW, View from Brig.r McCregh's Pagoda Rangoon, hand-coloured lithograph; T.C. DIBDIN, The Fort of Monghir, hand-coloured lithograph from The Oriental Portfolio, London, 1841; Exhibited: India Observed, no. 183; HOWITT & WILLIAMSON, The Common Wolf Trap and Decoy Elephants Leaving the Male Fastened to a Tree, 2 hand-coloured lithographs from Oriental Field Sports, 1806; R.H. COLEBROOKE, North View of Sewandroog; West View of Ramgherry, 2 hand-coloured lithographs and one other in monochrome, from Twelve Views of Places in the Kingdom of Mysore, 1794 (and 1804); W. TAYLER, The Seige of Arrah, 1857, coloured lithograph (occasional marginal repairs or wear, final plate spotted, trimmed and mounted on card). (12)
Route dans le Bengale
etching, partly printed in colour, partly hand-coloured (475 x 600mm) after Solvyns' drawing of c. 1795, from volume II of Solvyns' Les Hindoûs, published in 4 volumes from 1808 to 1812. Abbey 430, plate no.187; Exhibited: India Observed, no.101
PRINCE ALEKSEI DMITRIEVICH SOLTYKOV (1806-1859), Festival of the Goddess Dourga at Calcutta, tinted lithograph by de Rudder after Soltykov (435 x 630mm), from Indian Scenes and Characters, London: Smith, Elder and Co, 1858 (marginal spotting); together with 10 others, comprising 2 hand-coloured lithographs by ORME after DANIELL and WARD, Distant View of Mootee Thurna and A View of Ossoore, from Twenty-four Views in Hindostan, London, 1802-5; Captain James KERSHAW, View from Brig.r McCregh's Pagoda Rangoon, hand-coloured lithograph; T.C. DIBDIN, The Fort of Monghir, hand-coloured lithograph from The Oriental Portfolio, London, 1841; Exhibited: India Observed, no. 183; HOWITT & WILLIAMSON, The Common Wolf Trap and Decoy Elephants Leaving the Male Fastened to a Tree, 2 hand-coloured lithographs from Oriental Field Sports, 1806; R.H. COLEBROOKE, North View of Sewandroog; West View of Ramgherry, 2 hand-coloured lithographs and one other in monochrome, from Twelve Views of Places in the Kingdom of Mysore, 1794 (and 1804); W. TAYLER, The Seige of Arrah, 1857, coloured lithograph (occasional marginal repairs or wear, final plate spotted, trimmed and mounted on card). (12)
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