Alfred Sisley (1839-1899)
PROPERTY FROM A EUROPEAN FAMILY
Alfred Sisley (1839-1899)

Le matin. Le long du bois, au mois de juin

Details
Alfred Sisley (1839-1899)
Le matin. Le long du bois, au mois de juin
signed 'Sisley,' (lower left)
oil on canvas
23 5/8 x 28¾ in. (60 x 73 cm.)
Painted in 1883
Provenance
P.-A. Aubry, Paris; sale, Galerie Georges Petit, Paris, 10 May 1897, lot 29.
Galerie Durand-Ruel et Cie., Paris (acquired from the above).
G. & L. Bollag, Zürich (acquired from the above, 20 December 1917).
Acquired from the above by the grandparents of the present owners, 1917.
Literature
F. Daulte, Alfred Sisley, catalogue raisonné de l'oeuvre peint, Lausanne, 1959, no. 479 (illustrated).
Exhibited
Paris, Galerie Durand-Ruel et Cie., Exposition des tableaux de Monet, Pissarro, Renoir et Sisley, April 1899, no. 145.
Paris, Galerie Durand-Ruel et Cie., Exposition des tableaux Alfred Sisley, February-March 1902, no. 21.
London, Grafton Galleries, Paintings by Boudin, Cézanne, Degas, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, January-February 1905, no. 308.
Paris, Galerie Durand-Ruel et Cie., Tableaux par Alfred Sisley, April-May 1914, no. 54.
Sale room notice
Please note the first and second line of provenance is as follows:
Barbanson; sale, Hôtel Drouot, Paris, 24 May 1895, lot 42.
P.-A. Aubry, Paris (acquired at the above sale); sale, Galerie Georges Petit, 10 May 1897, lot 29.

Lot Essay

In the early 1880s Sisley began to frequent the vicinity around Moret-sur-Loing, a small town about twenty-five miles southeast of Paris, and in 1889 he settled there. The artist was immediately enamored with the area and frequently portrayed the foot paths through woods and thickets which surrounded his new home. Nevertheless, however absorbed he was by the natural landscape, he rarely overlooked the presence of people casually going about their daily lives. In contrast to an artist like Monet, for whom the pure and untrammelled state of nature held far greater mystery and attraction, Sisley sought and expressed an easy and untroubled balance between rural life and nature. G. Geffroy wrote:

He sought to express the harmonies that prevail, in all weather and at every time of day, between foliage, water and sky; and he succeeded... He loved river banks; the fringes of woodlands; towns and villages glimpsed through the trees; old buildings swamped in greenery; winter morning sunlight; summer afternoons. He had a delicate way of conveying the effects of the moment (G. Geffroy, "Sisley", Les Cahiers d'Aujourd'hui, Paris, 1923).

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