A FINE AND RARE TWO-COLOUR OVERLAY WHITE GLASS SNUFF BOTTLE
A FINE AND RARE TWO-COLOUR OVERLAY WHITE GLASS SNUFF BOTTLE

Details
A FINE AND RARE TWO-COLOUR OVERLAY WHITE GLASS SNUFF BOTTLE
1750-1800

Intricately carved through layers of pale green and pink glass to the translucent white ground, with a pair of pheasants amidst bamboo and rocks on one side, and two parrots with prunus blossoms and bamboo on the other, stopper
2 11/16 in. (6.86 cm.) high
Provenance
Ko Collection, Shanghai, 1915-1918
Christie's London, 18 June 1973, lot 93
Hugh M. Moss Ltd.
Irving Lindzon, Toronto, 1986
Literature
Snuff Bottle Miscellany, no. 1, p. 34, no. 93.
100 Selected Chinese Snuff Bottles from the J & J Collection, back cover and no. 36.
JICSBS, Autumn 1989, front cover.
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 2, no. 391.
Exhibited
Christie's London, October 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2001 - 2002
Portland Museum of Art, Portland, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

The extremely rare colour combination found on this spectacular bottle suggests a date from the second half of the Qianlong reign; see A Treasury of Chinese Snuff Bottles, Vol. 5, nos. 1001-1005, for other examples of the group and their dating. The unusual subjects are superbly carved and finished, using the complementary colours to great effect and with remarkable confidence. The bottle is also of impeccable formal integrity. Reading beyond the subject-matter, the abstract use of the two overlay colours is also particularly well thought-out. No other example is known of this colour combination which comes anywhere close in quality.

The pair of parrots is a very rare subject. Pairs of birds symbolise a happy marriage, but the parrot is not used traditionally in this sense - in fact it is quite the opposite in Jiangsi province. According to W. G. Gulland in Chinese Porcelain, vol. 1, pp. 98-99, a legend there tells of a pearl merchant who was on the point of being ruined by the intrigues of his faithless wife when the state of affairs was made known to him by a talking parrot. As such, the parrot became, locally, a warning against faithlessness.

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