Details
A SUPERB CARVED CHALCEDONY SNUFF BOTTLE
SUZHOU, 1740-1860

Exquisitely carved in high relief as a continuous rocky landscape scene, the darker markings ingeniously utilised to depict a horse rolling on its back to ease the strain and irritation of wearing a saddle, while its attendant dozes under a nearby tree and a monkey picks lingzhi on the reverse side beside rockwork bearing the inscription Chunjiao fangma tu, 'Releasing a horse in a spring countryside', the design on rocks continuing on to the foot, stopper
1 13/16 in. (4.63 cm.) high
Provenance
Kenneth Woollcombe-Boyce
Sydney L. Moss Ltd. (1960 or 1961)
Hugh Moss
Literature
Hugh Moss, Chinese Snuff Bottles of the Silica or Quartz Group, p. 68, no. 177.
Snuff Bottles of the Ch'ing Dynasty, p. 115, no. 206.
100 Selected Chinese Snuff Bottles from the J & J Collection, no. 60.
JICSBS, Autumn 1989, front cover.
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 1, no. 138.
The Miniature World - An Exhibition of Snuff Bottles from the J & J Collection, Taipei, p. 42.
The Art of Chinese Snuff Bottle, Poly Art Museum, Beijing, p. 37.
Exhibited
Hugh M. Moss Ltd., London, September 1974
Hong Kong Museum of Art, 1978
Christie's London, 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Portland, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, October 2003.

Lot Essay

The image of a horse rolling on its back is a symbol of freedom and release from constraint (as suggested by the saddle). The concept of liberation is further accentuated by the inscription.

The present bottle is a masterpiece of the bolder style of the Suzhou school known as the Zhiting School. It is characterised by extraordinary confidence of execution conceived in bold planes of relief of considerable depth, particularly for so tiny a bottle. It also displays two different styles of rock work from the school. In the foreground, in front of the rolling horse, is a superbly crafted, entirely realistic convoluted rock. It is naturalistically carved and finished and distinctly three-dimensional, without emphasis on any particular plane. On the back, where the colour is used so evocatively as a rock face behind the gnarled tree, we see the other style of rock work. Here, although still three-dimensional and realistically finished, the conception is of a raised plane, superbly polished, its edges alone defining it as rock work. It is set on a ground of similar rocks which are disposed horizontally, in which setting the monkey is seen. Where this style of multiple-plane three-dimensionality is employed, the ubiquitous cloud rim at the shoulders also tends to be in deeper relief and disposed in planes, as it is here.

The masterful use of colour, including fading patches which blend into the ground colour, the confident carving and the brilliant formal conception of this example place it amongst the very finest of the school. For such a tiny bottle, it has an exceptional sense of grandeur and depth. The depth of carving also explains another occasional characteristic of this school: limited hollowing. This bottle is sufficiently well hollowed to hold ample snuff for its size, but to have hollowed it any further would have limited the depth of carving available to create the exterior planes.

Another masterly stroke here is the continuation of the design beneath the foot to complete the use of the darker colouring which forms the convoluted rock work. This is a delightful feature shared by a few other superb Suzhou bottles.

More from IMPORTANT CHINESE SNUFF BOTTLES FROM THE J&J COLLECTION

View All
View All