Details
A FINE AMBER SNUFF BOTTLE
SHISHOU SHANREN, 1770-1880

Of well-hollowed, flattened form, incised on one side with a cliff face in a gorge rising from rippling water, all above a poetic inscription followed by the signature Shishou Shanren zuo, 'Made by the Stone Longevity Hermit', the characters filled with gold pigment, stopper
2 5/8 in. (6.75 cm.) high
Provenance
Christie's Hong Kong, 1 April 1992, lot 1589
Hugh M. Moss Ltd.
Literature
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 2, no. 292
Exhibited
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2001 - 2002
Portland Museum of Art, Portland, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

This snuff bottle falls into the category of bottles for the scholar class, purely in the taste of the literati and rooted deeply in the sophisticated aesthetic of their paintings. The inscription is a poetic reference to the Song scholar Mi Fu:

[Like] a divine wind blowing in a valley with streams,
Only Old Mi could understand its very essence.

Mi Fu was one of the most famous painters and calligraphers of the literati tradition, and in this instance, only he is able to comprehend landscape painting.

Apart from the scholarly content of the inscription, there are other indications of the highly literate nature of the bottle. The calligraphy is confidently incised in a cross between regular and clerical scripts and is signed with a pen name typical of a scholar who had become a hermit - if not in fact, then metaphorically. Shishou Shanren is a hao or adopted name suggesting an enlightened, perhaps retired scholar who was probably a painter and calligrapher, at one with the universe and master of himself. The character zuo ('made by') leaves no doubt that it was Shishou Shanren himself who both carved and inscribed the bottle and whose opinion on the importance of Mi Fu is recorded. Only three other amber bottles are recorded bearing this name.

The carving is simple, yet extraordinarily powerful, capturing the essence of the gorge scenery with the simplest of means, incised spontaneously with the 'iron-brush' of the seal-carver.

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