Lot Essay
The pitcher in this drawing also appears in Picasso's first important still life in his classicizing manner of the late 1910s, Nature morte au pichet et aux pommes (Picasso Project, 1917-1919, no. 19.004; coll. Musée Picasso, Paris). The pitcher and compotier are also the subject of a pastel (Zervos, vol. 3, no. 276). The extensive shading and tondo outline suggest that this drawing may have been executed as a study for a major classicized composition utilizing the pitcher and compotier, with the addition of a tablecloth, glass and mirror. This painting, however, was not undertaken.