![CURTIS, William (1746-1799). Flora Londinensis: or Plates and Descriptions of such Plants as grow wild in the Environs of London. London: Sold by the Author and B. White, [1775-]1777-1798.](https://www.christies.com/img/LotImages/2004/NYR/2004_NYR_01455_0283_000(080008).jpg?w=1)
Details
CURTIS, William (1746-1799). Flora Londinensis: or Plates and Descriptions of such Plants as grow wild in the Environs of London. London: Sold by the Author and B. White, [1775-]1777-1798.
2 volumes, 2o (460 x 285mm). Engraved oval title vignette to volume I, 435 engraved plates on 432 leaves, colored by a contemporary hand, after Sydenham Edwards, James Sowerby and William Kilburn. Contemporary calf with wide border of oak leaf roll toll, corners set with gilt floral design (rubbed, wear to edges). Provenance: Lord Battersea (bookplate).
FINE COPY OF THE FIRST EDITION, WITH THE FIRST ISSUE TITLE. The Flora Londinensis is essentially the first color-plate national flora of England, the first English flora to be at all comprehensive. Curtis, with the support of Lord Bute, published the first part in 1775. For "ten years he continued perseveringly at his congenial but unremunerative task, [and] by 1787, the results of his labour were two splendid folio volumes and a deficit that made the continuance of his venture impossible. He understood the cause of the trouble and saw the remedy: if his clients refused to buy folio pictures of the unassuming plants that grew by the wayside, he would win their patronage with octavo engravings of the bright flowers that filled their gardens. Thus, in 1787, the The Botanical Magazine was born" (Blunt, The Art of Botanical Illustration, 1994, p. 212). The immediate success of the magazine allowed Curtis to continue the publication of the Flora Londinensis, the former, as Curtis put it, providing the "pudding," the latter the greater satisfaction and the critical acclaim from his peers. The Flora... also contains James Sowerby's first book illustrations. His son describes how "Mr. Curtis engaged Mr. S. to join him in his botanizing excursions around London & to draw the plants collected while he described them so they often worked sociably together in the open Fields." Dunthorne 87; Great Flower Books (1990) p. 88; Henrey III, 595; Hunt 650; Nissen BBI 439; Stafleu & Cowan 1286. (2)
2 volumes, 2
FINE COPY OF THE FIRST EDITION, WITH THE FIRST ISSUE TITLE. The Flora Londinensis is essentially the first color-plate national flora of England, the first English flora to be at all comprehensive. Curtis, with the support of Lord Bute, published the first part in 1775. For "ten years he continued perseveringly at his congenial but unremunerative task, [and] by 1787, the results of his labour were two splendid folio volumes and a deficit that made the continuance of his venture impossible. He understood the cause of the trouble and saw the remedy: if his clients refused to buy folio pictures of the unassuming plants that grew by the wayside, he would win their patronage with octavo engravings of the bright flowers that filled their gardens. Thus, in 1787, the The Botanical Magazine was born" (Blunt, The Art of Botanical Illustration, 1994, p. 212). The immediate success of the magazine allowed Curtis to continue the publication of the Flora Londinensis, the former, as Curtis put it, providing the "pudding," the latter the greater satisfaction and the critical acclaim from his peers. The Flora... also contains James Sowerby's first book illustrations. His son describes how "Mr. Curtis engaged Mr. S. to join him in his botanizing excursions around London & to draw the plants collected while he described them so they often worked sociably together in the open Fields." Dunthorne 87; Great Flower Books (1990) p. 88; Henrey III, 595; Hunt 650; Nissen BBI 439; Stafleu & Cowan 1286. (2)
Special notice
Christie's is selling all lots in this sale as agent for an organization which holds a State of New York Exempt Organization certificate. Seller explicitly reserves all trademark and trade name rights and rights of privacy and publicity in the name and image of Doris Duke. No buyer of any property in this sale will acquire any right to use the Doris Duke name or image. Seller further explicitly reserves all copyright rights in designs or other copyrightable works included in the property offered for sale. No buyer of any property in the sale will acquire the rights to reproduce, distribute copies of, or prepare derivative works of such designs or copyrightable works.