A pair of Sevres pot-pourri vases and covers (vase 'pot pourri Pompadour')
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A pair of Sevres pot-pourri vases and covers (vase 'pot pourri Pompadour')

1756, BLUE INTERLACED LS ENCLOSING DATE LETTER D, UNATTRIBUTED PAINTER'S MARKS

Details
A pair of Sevres pot-pourri vases and covers (vase 'pot pourri Pompadour')
1756, BLUE INTERLACED LS ENCLOSING DATE LETTER D, UNATTRIBUTED PAINTER'S MARKS
The oviform bodies with six oval pierced apertures edged with moulded overlapping gilt scrolling foliage, above a moulded gilt line at the shoulder with six indentations for the apertures, painted below with scattered bouquets of flowers including roses, hydrangeas and tulips, and each with three flower-sprays between the apertures and on the waisted stepped circular feet, the domed ogee covers each with six similar apertures about a carnation finial, gilt dentil rims (minute areas of wear to gilding, one cover with restored finial, firing cracks to flange and some areas of wear to gilt rim, other with chipping to finial)
7½ in. (19 cm.) high (2)
Provenance
Anon., sale Christie's London, 2nd March 1992, lot 143.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

This shape of pot-pourri vase, designed by Jean-Claude Duplessis (père), was made in four different sizes. The present examples are of the smallest size, which varied in height from about 19 cm. to 20 cm., and with this type of decoration they originally cost 72 livres.

Lazare Duvaux and his wife were the main buyers of this type of pot-pourri vase, and in December 1754 he bought a pair of white pot-pourri vases of the type decorated with flowers for 72 livres each, and he bought another similar pair in early 1758 and sold them to the duchesse de Mazarin. For a full discussion of this shape and other examples, see Rosalind Savill, The Wallace Collection Catalogue of Sèvres Porcelain (London, 1988), Vol. I, pp. 127-135.

The clover-shaped flower painter's mark is listed by David Peters, Decorator and Date Marks on 18th Century Vincennes and Sèvres Porcelain (London, 1997), p. 88, where he points out that the occurence of this mark (circa 1753-60) coincides with the work period of J-J. Sioux.

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