Patek Philippe. A fine and possibly unique gilt brass and enamel solar-powered table clock, enamel by Luce Chappaz
Patek Philippe. A fine and possibly unique gilt brass and enamel solar-powered table clock, enamel by Luce Chappaz

SIGNED PATEK PHILIPPE, GENÈVE, DÔME, "LA DAME À LA LICORNE", MOVEMENT NO. 874'484, CASE NO. 2'061, REF. 770, MANUFACTURED IN 1970

Details
Patek Philippe. A fine and possibly unique gilt brass and enamel solar-powered table clock, enamel by Luce Chappaz
Signed Patek Philippe, Genève, Dôme, "La Dame à la licorne", movement no. 874'484, case no. 2'061, ref. 770, manufactured in 1970
Cal. 17''' photo electric cell circular gilt-finished lever movement, 29 jewels, Gyromax balance, free sprung regulator, the battery recharged by the solar panel, the silvered matt dial with engraved baton numerals on raised gilt chapter ring, gilt dauphine hands, the cylindrical case with polychrome cloisonné enamel decoration depicting "La dame à la licorne" (the lady and the unicorn) signed L. Chappaz, the solar panel set into the domed revolving top, on three fluted feet, case and movement numbered, dial signed
220 mm. high

Lot Essay

Accompanied by Patek Philippe Certificat d'Origine with colour photograph of the present timepiece, Extract from the Archives confirming its production with enamel scenes from "La dame à la licorne" by Madame Luce Chappaz, Genève, in 1970 and subsequent sale on 14 October 1971. Furthermore delivered with original fitted presentation box.

To the best of our knowledge, this clock has never been offered in public before.

The present dome clock is part of the first and now highly collectable series fitted with a 17''' mechanical movement, electrically wound and powered through the solar cells.

Its enamel scene is inspired by the series of tapestries titled La dame à la licorne (The Lady and the Unicorn), often considered one of the greatest works of art of the Middle Ages in Europe and currently in the Musée de Cluny in Paris. They were woven in the medieval style of "mille-fleurs" or "thousand flowers" in Flanders in the early 16th century.

The scenes on the six tapestries depict the six senses - hearing, sight, taste, touch, smell, and "A mon seul désir" or "to my only desire", often interpreted as love. Each tapestry also shows a noble lady with the unicorn, some include a lion or a monkey in the scene.

The Lady and the unicorn have inspired generations of writers, notably George Sand in her 1844 novel "Jeanne".

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