Pablo Picasso (1881-1973)
PROPERTY FROM THE ESTATE OF MRS. CHARLES W. ENGELHARD
Pablo Picasso (1881-1973)

Femme assise et singe

Details
Pablo Picasso (1881-1973)
Femme assise et singe
signed, dated and numbered 'Picasso 10.1.54. XV' (upper left)
brush and black ink on paper laid down on paper
9 3/8 x 12 5/8 in. (23.8 x 32 cm.)
Drawn on 10 January 1954
Provenance
M. Knoedler & Co., Inc., New York.
Mr. and Mrs. Charles W. Engelhard, Jr., New Jersey.
By descent from the above to the late owner.
Literature
"Suite de 180 dessins de Picasso, 28 November 1953 au 2 Février 1954", VERVE, nos. 29-30, Vallauris, September 1952, n.p. (illustrated).
R. West, M. Leiris and E. Tériade, intro., A Suite of 180 drawings by Picasso: Picasso and the Human Comedy, New York, 1954 (reprint and English translation of the VERVE double-issue; illustrate, n.p.).
C. Zervos, Pablo Picasso, Paris, 1965, vol. 16, no. 176 (illustrated, pl. 58).
The Picasso Project, ed., Picasso's Paintings, Drawings and Sculpture: The Fifties I 1950-1955, San Francisco, 2000, p. 189, no. 54-076.

Lot Essay

"A short time ago there occurred what is perhaps the most prodigious artistic event of the present century. Pablo Picasso, at the age of seventy-two, opened his sketch-book on the twenty-eighth of November 1953, and went on drawing in a frenzy of industry until the third of February, 1954. In those nine weeks he produced one hundred and eighty drawings of great beauty. This would be an amazing feat for an artist still at the noon of his physical powers. But the drawings, which are now issued in a single volume by the great French firm of art publishers, VERVE, have a value beyond the fantastic circumstances in which they were produced and the superb wit and justice of their line. Picasso simply set down on paper the images which passed through his mind during those nine weeks, which were for him a period of acute emotional disturbance. This volume takes us, therefore, inside the mind of the most gifted artist of this time, who has always presented a special problem precisely because he has refused to confide in his age, and has been indifferent when his art has been resented as enigmatic" (R. West, op. cit., p. 21).

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