Laurence Stephen Lowry, R.A. (1887-1976)
No VAT will be charged on the hammer price, but VA… Read more ANOTHER PROPERTY
Laurence Stephen Lowry, R.A. (1887-1976)

The funeral

Details
Laurence Stephen Lowry, R.A. (1887-1976)
The funeral
signed and dated 'L S LOWRY 1928' (lower right)
oil on panel
14¼ x 18¾ in. (36.3 x 47.7 cm.)
Provenance
with Crane Kalman, London, 1968.
Monty Bloom, and by descent.
Literature
J. Spalding, Lowry, London, 1979, p. 7, pl. 12.
J. Spalding, Lowry, London, 1987, p. 55, pl. 37, no. 10, illustrated.
Exhibited
Sunderland, Arts Council, Art Gallery, L.S. Lowry, August - September 1966, no. 20: this exhibition toured to Manchester, Whitworth Art Gallery, September - October 1966; Bristol, City Art Gallery, October - November 1966; and London, Tate Gallery, November 1966 - January 1967.
Cambridge, Magdalene Street Gallery, Lowry Paintings and Drawings, April - May 1967, no. 1.
London, Crane Kalman Gallery, The Loneliness of L.S. Lowry, November 1968, no. 2, pl. XIII.
Salford, Art Gallery, L.S. Lowry Centenary Exhibition, October - November 1987, no. 111.
Middlesbrough, Arts Council, Cleveland Art Gallery, The Art of L.S. Lowry, December 1987 - January 1988, no. 10, pl. 37: this exhibition toured to Coventry, Herbert Art Gallery and Museum, January - February 1988; Stoke-on-Trent, Art Gallery, March - April 1988; Exeter, Royal Albert Memorial Museum, April - May 1988; and London, Barbican Art Gallery, August - October 1988.
Salford, Art Gallery, Lowry by Choice, March - April 1995 (no catalogue produced).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

'A poignant view of the artist's own demise, of which he said: "There'll be two people at my funeral and one of those will be the undertaker and he'll be looking at his watch to see if he'll be away in time for the match"' (Shelley Rohde, private correspondence, April 2000).

Julian Spalding comments on the present work 'the picture is harmonious but bleak, about death in life. There is a suggestion of hope in the aspiring tower of the church, but this is balanced by the black pit of the grave. Lowry was not a religious man, though he later maintained, "There must be a God. I can't believe it's all waste". The play of life and death, like two sides of a coin, is one of the main themes of Lowry's art, though he rarely treats it so mournfully or lyrically again' (J. Spalding, Lowry, London, 1987, p. 15).

Monty Bloom, the former owner of the present composition and collector of Lowry's pictures, once asked the artist if he had ever done another funeral picture, to which Lowry replied 'You only do your own funeral once, Sir' (private correspondence).

More from 20TH CENTURY BRITISH & IRISH ART

View All
View All