A LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH AND BOIS DE BOUT MARQUETRY TABLE A ECRIRE
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A LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH AND BOIS DE BOUT MARQUETRY TABLE A ECRIRE

MID-18TH CENTURY

Details
A LOUIS XV ORMOLU-MOUNTED TULIPWOOD, AMARANTH AND BOIS DE BOUT MARQUETRY TABLE A ECRIRE
Mid-18th Century
Veneered a quatre faces, the serpentine top inlaid with a spray of flowers within a scrolling foliate border, above a leather-lined writing slide, one fitted and blue silk-lined drawer and two further drawers, on slight cabriole legs terminating in foliate-cast sabots, stamped 'EHB', partially remounted, restoriations to the veneers
28 in. (71 cm.) high; 21 in. (53 cm.) wide; 14½ in. (37 cm.) deep
Provenance
Sold Ader Picard, Paris, 23 March 1971, lot 121, and Sotheby's London.
Literature
Jean Nicolay, L'Art et la Manière des Maîtres Ebénistes Français au XVIIIe siècle, Paris, 1956, page 177 figures A and B
F. J. B. Watson, The Wrightsman Collection, New York, 1966, Vol. I, p. 265
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

With its distinctive marquetry of flowers in bois de bout, this elegant table relates to the oeuvre of the celebrated maître Bernard II van Risamburg, known as BVRB and more specifically to a few related tables stamped or attributed to him.

A very similar table, formerly in the Wrighstman Collection and sold, Sotheby's, New York, 3 May 1986, lot 127, is illustrated in F. J. B. Watson, The Wrightsman Collection, New York, 1966, Vol. I, n. 132 p. 264-265.

Another table, in the Jones Collection in the Victoria & Albert Museum, is illustrated in O. Brackett, Catalogue of the Jones Collection, London, 1922, n. 14 and pl. 6. A further one, with an undertier, formerly also in the Wrightsman Collection and sold Sotheby's, London, 2 December 1983, lot 37, is illustrated in F. J. B. Watson, op. cit., n. 126 p. 255-256. Another, stamped both by BVRB and by the marchand ébéniste Migeon, is illustrated in P. Kjelberg, Le Mobilier Français du XVIIIeme siècle, Paris, 2002, p. 144.
The brand EHB is that of the celebrated dealer Edward Holmes Baldock (1777-1845), who was trading as an 'Ornamental China-Dealer', 'Furniture Broker and Appraiser' and 'Foreign China and Furniture Warehouseman'. Baldock was perhaps the most influential figure in the London art market in the early 19th Century, numbering among his clients King George IV, the Dukes of Northumberland and Buccleuch and William Beckford.

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