A Kishu Katana
A Kishu Katana

SIGNED OITE NANKI SHIGEKUNI KORE O TSUKURU, EDO PERIOD (17TH CENTURY)

Details
A Kishu Katana
Signed Oite Nanki Shigekuni kore o tsukuru, Edo period (17th century)
Sugata [configuration]: honzukuri, iori-mune, chu-kissaki, shallow toriizori
Kitae [forging pattern]: running itame and masame and jinie
Hamon [tempering pattern]: suguha of nie with wide habuchi, gunome ashi, sunagashi
Boshi [tip]: ko-maru midare komi
Horimono [carving]: possibly atobori bohi on both sides
Nakago [tang]: suriage, two holes, katte-sagari
Habaki [collar]: double, gilt copper
In shirasaya [plain wood scabbard] with attribution written by Homma Junji (Kunzan) at the request of Aoyama Kokichi
Nagasa [length from tip to beginning of tang]: 69.8cm.
Sori [curvature]: 1.6cm.
Motohaba [width at start of tempered edge]: 3.2cm.
Sakihaba [width before tip]: 2.2cm.
Provenance
Aoyama Kokichi

Lot Essay

The smith was of the late Yamato school: his early work is inscribed "resident of Tegai," referring to the Tegai school of Todaiji Temple in Nara. Along with many smiths he migrated after the pacification of the nation in the late sixteenth century, and went to Tsuruga. He was retained by the Tokugawa branch family in Kii Province, and his descendants continued to work in the castle town for eleven generations. Many consider Shigekuni to be the greatest of all shinto smiths. He emulated the work of Go no Yoshihiro, making Soshu style swords in keeping with the requirement of the time, while keeping the masame hada and fluffy hamon of his Yamato origins.

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