REFERENCE BOOKS: BOLLER, Willy. Meister des Japanischen Farbholzschnittes (1947); PINS, Jacob. The Japanese Pillar Print (1982); SUZUKI, Juzo. Kuniyoshi (1992); HILLIER, Jack. The Uninhibited Brush: Japanese Art in the Shijo Style (1974) and Suzuki Harunobu (1970); BINYON, Lawrence & Sexton O'Brien. Japanese Colour Prints (1923); LORD, James. Japanese Marks and Seals (1872); UCHIDA, Minoru. Hiroshige (1932); YOSHIDA, Eiji. Kiyonaga (1953); KONDO, Sentaro. Hokusai (1953); Japanese Prints...Collection of Henri Vever, II (Sotheby's, 1975); BROWN, Kendall. Kawase Hasui: The Complete Woodblock Prints 2 vols. (2003); Ukiyoe ten (Matsukaya Dept. Store, 1986); HILLIER, Jack. Utamaro (1961); OTA, Motoji. Ukiyo-e Masterpieces ... Ota Museum (1988) (15)

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REFERENCE BOOKS: BOLLER, Willy. Meister des Japanischen Farbholzschnittes (1947); PINS, Jacob. The Japanese Pillar Print (1982); SUZUKI, Juzo. Kuniyoshi (1992); HILLIER, Jack. The Uninhibited Brush: Japanese Art in the Shijo Style (1974) and Suzuki Harunobu (1970); BINYON, Lawrence & Sexton O'Brien. Japanese Colour Prints (1923); LORD, James. Japanese Marks and Seals (1872); UCHIDA, Minoru. Hiroshige (1932); YOSHIDA, Eiji. Kiyonaga (1953); KONDO, Sentaro. Hokusai (1953); Japanese Prints...Collection of Henri Vever, II (Sotheby's, 1975); BROWN, Kendall. Kawase Hasui: The Complete Woodblock Prints 2 vols. (2003); Ukiyoe ten (Matsukaya Dept. Store, 1986); HILLIER, Jack. Utamaro (1961); OTA, Motoji. Ukiyo-e Masterpieces ... Ota Museum (1988) (15)

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