A FINE MINIATURE RED OVERLAY COLORLESS GLASS SNUFF BOTTLE
A FINE MINIATURE RED OVERLAY COLORLESS GLASS SNUFF BOTTLE

PROBABLY IMPERIAL, ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1715-1760

Details
A FINE MINIATURE RED OVERLAY COLORLESS GLASS SNUFF BOTTLE
PROBABLY IMPERIAL, ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1715-1760
Well carved though the ruby-red overlay with an allover design of fruiting peach branches, with a total of eight peaches, the twigs and leaves forming a naturalistic foot, stopper
1 9/16 in. (3.9 cm.) high
Provenance
Hugh Moss
Literature
Snuff Bottles of the Ch'ing Dynasty, pp. 62 and 134, no. 46
100 Selected Chinese Snuff Bottles from the J & J Collection, back cover and no. 30
Moss et. al., The Art of the Chinese Snuff Bottle, The J&J Collection, vol. 2, no. 361
The Art of the Chinese Snuff Bottle, Poly Art Museum, Beijing, p. 108
Exhibited
Hugh M. Moss Ltd., London, September 1974
Hong Kong Museum of Art, October-December 1978
Christie's London, October 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, October 2003

Lot Essay

Decorated with eight peaches, and itself shaped as a peach, this superb red-overlay glass bottle bears the emblems of marriage, Spring and longevity. Its Daoist association with immortality is derived from the legend of the peach tree which grew in the gardens belonging to Xiwangmu (Queen Mother of the West). This tree was said to blossom once in three thousand years and yield the fruit of eternal life which ripened for a further three thousand years. The number of peaches is also significant, as 'eight' is a homophone for the word 'prosper', while red is the traditional color of celebration.

This tiny, yet elegant, bottle is most likely from the first phase of overlay glass making. Its small size, wide mouth, superb finish and, for an early bottle, the unusual combination of ruby-red on clear glass, are all possible products of the Palace workshops in the early eighteenth century. With its numerous auspicious symbols, this bottle was most likely made to be presented as an Imperial birthday gift.

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