Details
A FINE YELLOW JADE SNUFF BOTTLE
1700-1850

Of compressed form, very well hollowed and with a recessed foot, the stone of a bright greenish-yellow tone, stopper
2 1/4 in. (5.78 cm.) high
Provenance
Hugh M. Moss Ltd.
Harry H. Ross
Hugh Moss
Literature
Geoffrey Wills, Jade of the East, p. 118, no. 93
JICSBS, December 1975, p. 6, no. 16
Snuff Bottles of the Ch'ing Dynasty, p. 103, no. 171
Moss et. al., The Art of the Chinese Snuff Bottle, The J&J Collection, vol. 1, no. 56
Exhibited
Hugh M. Moss Ltd., London, September 1974
Hong Kong Museum of Art, October-December 1978
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

From at least the Song dynasty onwards, 'yellow jade' has been highly prized by the Chinese, although such jades would rarely be termed yellow if compared with yellow glass. As with so many terms in Chinese connoisseurship, descriptive titles have often been superseded by a transcendental meaning, and within this system 'yellow jade' is not just an optimistic expression but rather, a description of superiority for a specific spectrum of nephrite color. It is also the material to which the Qing Chinese connoisseur attached the name 'huangzhengli' ('yellow steamed chestnut'), and the example here is as perfect and bright as one might hope to find, coming as close to a real yellow as any recorded nephrite snuff bottle.

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