AN INSIDE-PAINTED CRYSTAL BOTTLE
AN INSIDE-PAINTED CRYSTAL BOTTLE

SIGNED MA SHAOXUAN, BEIJING, DATED A SPRING DAY IN THE YEAR DINGYOU (1897), WITH ONE SEAL SHAO, THE BOTTLE 1760-1897

Details
AN INSIDE-PAINTED CRYSTAL BOTTLE
SIGNED MA SHAOXUAN, BEIJING, DATED A SPRING DAY IN THE YEAR DINGYOU (1897), WITH ONE SEAL SHAO, THE BOTTLE 1760-1897
The flawless crystal bottle of flattened form painted on the inside with ink and watercolors, one side decorated with five pairs of birds (fenghuang, cranes, ducks, orioles and pied wagtails) in a water-side setting with a wutong tree growing from a rocky bank, the other side with two squirrels in a fruiting grape vine, stopper
2 5/8 in. (6.71 cm.) high
Provenance
Hugh M. Moss Ltd.
Literature
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 2, no. 420
The Art of the Chinese Snuff Bottle, Poly Art Museum, Beijing, p. 133
Exhibited
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

The subject of squirrels and grapes, although a popular one in other media such as coral, amber and jade, and molded porcelain snuff bottles from the nineteenth century, it is rarely found in inside-painted snuff bottles, and is a subject which Ma Shaoxuan treated but a few times during his career. Another bottle by Ma painted with this subject, but bearing an inscription on the reverse, was purchased by Bob C. Stevens from Japan in 1966 and is illustrated in The Collector's Book of Snuff Bottle, New York, 1976, no. 862. Two other examples by Ma bearing this subject, but also inscribed with calligraphy on the reverse, include one dated to 1896 in the Russell Mullin Collection, and one from the Ko Collection, dated to the same year as the present bottle, 1897. The squirrels and grapes design of each bottle is essentially the same and each is exquisitely painted with the same sort of meticulous technique Ma used in his portraits, with unusually realistic detail, shading and attention to detail. The present bottle, however, appears to be unique in its unusual combination of squirrels with paired birds of various kinds, itself a very rare subject. The five pairs of birds, which are derived from an archetypal painting subject of the Ming dynasty, represent important aspects of human relationships - those of the Emperor with his officials, fathers and sons, husbands and wives, friends and brothers.

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