Details
AN ENAMELED YIXING SNUFF BOTTLE
YIXING, 1822
Of flattened form, each recessed convex panel enclosed within a quatrefoil frame, painted with slip and carved on one side with a scene of a scholar fishing beneath a steep cliff with overhanging trees, and on the other side an incised and enameled inscription in draft script, Renwu Shaoshan pinggui, 'Judged [to be of fine quality] by Shaoshan in the renwu year', stopper
2 1/4 in. (5.67 cm.) high
Provenance
Sotheby's London, 11 October 1974, lot 135
Hugh Moss
Arthur Gadsby, Hong Kong, 1978
Literature
Chinese Snuff Bottles, Hong Kong Museum of Art, p. 66, no. 133
JICSBS, June 1978, p. 45, no. 133
Moss et. al., The Art of the Chinese Snuff Bottle, The J&J Collection, vol. 1, no. 255
Exhibited
Hong Kong Museum of Art, October-November 1977
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

Yixing in Jiangsu province gives its name to this distinctive stoneware. In production for nearly a thousand years in the same place, Yixing wares only came into artistic prominence in the later Ming dynasty, when it was adopted by the scholar class as a suitable material for teapots and thence for other items for the scholar's studio. In snuff bottles, slip-decorated wares form quite a considerable portion of the known output. Slip is simply a watered-down version of whatever ceramic is being used, which can be applied like a thick paint or used for gluing segments together. Here, and in many such examples, it is also incised with a sharp point to lend detail and texture to larger areas.

The present bottle is one of the most striking from the group, with its rare combination of decorative methods, unusual and effective shape, and precise dating. Shaoshan was the art name of the famous Ming dynasty potter Shi Dabin. In the case of the bottle's maker, it was probably adopted as a reference to him out of respect, or even as an independent art name.

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