Lot Essay
The pier table, of elliptic or demi-medallion form, has its top ray-mosaiced with a golden scallop-shell in the 'Roman' manner popularised by the Works in Architecture, 1774 of Robert and James Adam and as featured in a table pattern in Thomas Malton's Compleat Treatise on Perspective, 1775 (pl. XXXIV). While trophies of Cupid's weapons and 'Apollo' sunflowers cap the herm-tapered legs, the parlour table's frame is decorated with corn trophies and fruit evoking the agriculture deity, Ceres. Its 'Pomona' tablet reflects the fashion popularised from the 1770s by the Curzon Street Peintre Ebeniste George Brookshaw (d. 1823), author of Pomona Britannica, 1812 (L. Wood, 'George Brookshaw - II', Apollo, June 1991. A related polychrome-decorated pier table is in the collection of the National Museum of Ireland on loan to 29 Lower FitzWilliam Street, Dublin. The top and central tablet are decorated with rustic buildings and ruins including an Irish round tower, all executed in grisaille on a black ground.