REFERENCE BOOKS ON JAPANESE PRINTS AND PAINTINGS: BRANDT, Klaus J. Hosoda Eishi 1751-1829: Der japanische Maler und Holzschnittmeister und seine Schuler (Stuttgart: K.J. Brandt, 1977); GENTLES, Margaret. Clarence Buckingham Collection of Japanese Prints (vol. II) (Chicago: Art Institute of Chicago, 1965), in slipcase, limited edition of 1000; KOOP, Albert & INADA, Hogitaro. Japanese Names and How to Read Them: A Manual for Art-Collectors and Students (London: The Eastern Press Ltd., 1923); LINK, Howard A. The Theatrical Prints of the Torii Masters: A Selection of 17th and 18th Century Ukiyo-e (Honolulu Academy of Arts/Riccar Art Museum, 1977); PINS, Jacob. The Japanese Pillar Print Hashira-e (London: Robert G. Sawers, 1982), in slipcase, copy no. 72 of a limited edition of 1,000; HILLIER, Jack. Catalogue of the Japanese Paintings and Prints in the Collection of Mr. & Mrs. Richard P. Gale (2 vols.) (Minneapolis Institute of Arts/Tuttle, 1970), in slipcase; KEYES, Roger. The Art of Surimono (vols. I & II) (London: Sotheby's/Philip Wilson, 1985); ROBINSON, B.W. Kuniyoshi, The Warrior Prints (Cornell University/Phaidon, 1982); MICHENER, James. The Hokusai Sketchbooks: Selections from the Manga (Vermont & Tokyo: Tuttle, 1975), 1st edition, 12th printing; NARAZAKI, Muneshige. The Japanese Print: Its Evolution and Essence (Tokyo: Kodansha Intl., 1978); MICHNER, James. Japanese Prints: From the Early Masters to the Modern (Rutland: Charles E. Tuttle Co., 1975); DE BECKER, J.E. The Nightless City or The History of the Yoshiwara Yukaku (Rutland: Charles E. Tuttle Co., 1971); AKIYAMA Terukazu. Japanese Painting (New York: Rizzoli International, 1979); Yomiuri Shinbun Library of Congress, ed. Words in Motion: Modern Japanese Calligraphy, exh. cat. (Tokyo: Yomiuri Shinbunsha, 1984); PAINE, Robert Treat and Alexander Sopen. The Art and Architecture of Japan (Harmondsworth: Penguin Books Ltd., 1955); JENKINS, Donald, ed. Masterworks in Wood: China and Japan, exh. cat. (Portland: Portland Museum of Art, 1976); SHEN C.Y. Fu. Traces of the Brush: Studies in Chinese Calligraphy, exh. cat. (New Haven: Yale University Art Gallery, 1977); LANE, Richard. Images from the Floating World: The Japanese Print (New York: Dorset Press, 1978); GRILLI, Elise. The Art of the Japanese Screen (New York: Weatherhill, 1970); KONDO Ichitaro. Japanese Genre Painting: The Lively Art of Renaissance Japan (Tokyo: Charles Rutland Co., 1961), in slip case; Freer Gallery of Art, ed. Japan (Tokyo: Kodansha Ltd., n.d.), in slip case; IMAIZUMI Motosuke. Nabeshima, vol. I of Famous Ceramics of Japan (Tokyo: Kodansha Ltd., 1981); GEN Kozuru. Agano and Takatori, vol.II of Famous Ceramics of Japan (Tokyo: Kodansha International Ltd., 1981); NARAZAKI Muneshige. Masterworks of Ukiyo-e: Kiyonaga (Tokyo: Kodansha International Ltd., 1969), in slip case; ISHIDA Mosaku. Japanese Buddhist Prints (New York: Harry N. Abrams, Inc., 1964); WATSON, William. Sculpture of Japan from the Fifth to the Fifteenth Century (London: The Studio, Ltd., 1959); KIDDER, J. Edward. Japanese Temples: sculptures, paintings, gardens, and architecture (Tokyo: Bijutsu Shuppansha, 1964), in slip case; BOWIE, Theodore. Art of the Surimono, exh. cat. (Indiana: Indiana University Museum, 1979); HOLME, Bryan, ed. A Shoal of Fishes: Hiroshige (London: Thames and Hudson Ltd., 1980), in slip case; MUNSTERBERG, Hugo. The Arts of Japan: An Illustrated History (Rutland: Charles E. Tuttle Co., 1957), in slip case; FICKE, Arthur Davison. Chats on Japanese Prints (London: T. Fisher Unwin, 1975 reprint); HILLIER, J. The Japanese Print: A New Approach (London: G. Bell and Sons Ltd., 1960); BUSHELL, Raymond. Collectors' Netsuke (New York: Walker Weatherhill, 1971), in slip case; ROSENFEILD, John M. and Shimada Shujiro. Traditions of Japanese Art: Selections from the Kimiko and John Powers Collection (Boston: Fogg Art Museum, Harvard University, 1970); International Exhibitions Foundation, ed. Folk Traditions in JApanese Art, exh. cat. (New York: Weathehil, Inc., 1978); ROBERTS, Laurance P. A Dictionary of Japanese Artists; painting, sculpture, prints, lacquer (Tokyo: Weatherhill, Inc., 1976); CHIBBETT, David. The History of Japanese Printin and Book Illustration (Tokyo: Kodansha Internationsl Ltd., 1977); SHIMIZU Yoshiaki, ed. Japan: THe Shaping of Dimyo Culture, 1185-1868, exh. cat. (New York: George Braziller, Inc., 1988); LEVY, Dana et. al. Kanban: Shop Signs of Japan (New York: Weatherhill, Inc., 1983); SHEN Fu, et. al. From Concept to Context: Approaches to Asian and Islamic Calligraphy, exh. cat. (Washington: Freer Gallery of Art, 1986); SMITH, Bradley. Japan: A History in Art (Tokyo: Gemini Inc., 1964); HILLIER, Jack. Suzuki Harunobu, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1970); ibid. The Art of Hokusai in Book Illustrations (London: Sotheby Parke Bernet Publications, 1980); ibid. Japanese Color Prints (Greenwich: Phaidon Publishers, Inc., n.d.); ibid. Japanese Masters of the Color Print (Greenwich: Phaidon Publishers, Inc., 1954); WATERHOUSE, David. Images of Eighteenth-Century Japan, exh. cat. (Toronto: Royal Ontario Museum, 1975); VOLLMER, John and Glenn T. Webb, eds. Japanese Art at the Art Gallery of Greater Victoria, exh. cat. (Victoria: The Art Gallery of Greater Victoria, 1972); BOWIE, Henry P. On the Laws of Japanese Painting (New York: Dover Publications, Inc., 1951); CLEVELAND Museum of Art, ed. Handbook of the Cleveland Museum of Art (Cleveland: Cleveland Museum of Art, 1978); MUNSTERBERG, Hugo, ed. Mingei: Folk Arts of Old Japan (New York: Asian House Gallery, 1965); ROSENFIELD, John M. et. al. The Courtly Tradition in Japanese Art and Literature: Selections from the Hofer and Hyde Collections, exh. cat. (Boston: Fogg Art Museum, Harvard University, 1973); MURASE, Miyeko. Byobu: Japanese Screens in New York Collections (New York: Asia Society, Inc., 1973); NAKATA Yujiro. The Art of Japanese Calligraphy, vol. 27 of the Heibonsha Survey of Japanese Art (New York: Weatherhill Heibonsha, English edition 1976 reprint); JENKINS, Donald. The Ledoux Heritage; the Collecting of Ukiyo-e Master Prints (New York: Japan Society, Inc., 1973); HACKIN, J. et al. Asiatic Mythology: a Detailed Description and Explanation of the Mythologies of All the Major Nations of Asia (New York: Thomas Y. Crowell Co., n.d.); KEYES, Roger S. and Mizushima Keiko. The Theatrical World of Osaka Prints, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1973); MURASE, Miyeko. Tales of Japan: Scrolls and Prints from the New York Public Library (New York: Oxford University Press, 1986) (11)