Azumaya Toen (1893-1976)
This lot is offered without reserve.
Azumaya Toen (1893-1976)

Toge (Ridge), c. 1934

Details
Azumaya Toen (1893-1976)
Toge (Ridge), c. 1934
Signed and sealed Toen
Ink and color on silk; framed and glazed
79¼ x 70½in. (210 x 179cm.)
Provenance
Hosokawa Rikizo Collection
Meguro Gajoen Museum of Art, Tokyo
Exhibited
15th Teiten, 1934

PUBLISHED:
Nittenshi hensan iinkai (Nittenshi ed. staff), ed., Teiten hen 6 (Teiten, vol. 6), vol. 11 of Nittenshi (History of Nitten [Japan Art Exhibition]) (Tokyo: Korinsha, 1983), p. 353, no. 17.
Special notice
This lot is offered without reserve.

Lot Essay

Enjoying a hike in the hills with backpacks and school uniforms, these girls embody the expansive optimism of the culture of interwar Japan. The second Sino-Japanese War broke out in 1937 and Japan entered the period many Japanese have referred to as the "dark valley" of the war years.

At the age of twenty-three, Toen, a native of Mie Prefecture, together with Anayama Shodo, his classmate at the Tokyo Art School (Tokyo Bijutsu Gakko), founded a group called the Sanbokusha (Society of Brilliant Trees). In 1930 Toen entered a painting titled Seijitsu (Clear day) in the tenth annual Teiten, or Imperial Salon. The painting shown here was accepted for exhibition in the prestigious Teiten in 1934.

His paintings feature self-assured and chic modern girls ("moga") who make a statement for changes in women's identity in the early twentieth century. This example is from the now-defunct Meguro Gajoen Museum of Art, a collection formed before World War II by the Tokyo industrialist, Hosokawa Rikizo.

More from Japanese and Korean Art

View All
View All